Cooper Donaldson

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Chief Lighting Technician:
2010  The 41–Year–Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It
2012  The Butterfly Room
2014  Jump!

Director of Photography:
2004  Half-Caste
2010  The 41–Year–Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It
2012  The Butterfly Room
2014  Jump!

Dolly Grip:
1999  Storm
2004  Half-Caste
2010  The 41–Year–Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It
2012  The Butterfly Room
2014  Jump!

Gaffer:
1999  Storm
2004  Half-Caste
2009  Red Sands
2010  The 41–Year–Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It
2011  Hostel: Part III
2011  Scream of the Banshee
2011  Without Men
2012  Rites of Passage
2012  The Butterfly Room
2014  Bad Ass 2: Bad Asses
2014  Camp X-Ray
2014  Jump!
2016  Ouija: Origin of Evil

Lighting Technician:
1999  Storm
2004  Half-Caste
2009  Red Sands
2010  The 41–Year–Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It
2011  Hostel: Part III
2011  Scream of the Banshee
2011  Without Men
2012  Rites of Passage
2012  The Butterfly Room
2012  The Dark Knight Rises
2014  Bad Ass 2: Bad Asses
2014  Camp X-Ray
2014  Jump!
2016  Ouija: Origin of Evil

Rigging Gaffer:
1999  Storm
2004  Half-Caste
2009  Red Sands
2009  Stay Cool
2010  The 41–Year–Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It
2011  Hostel: Part III
2011  Scream of the Banshee
2011  Without Men
2012  Rites of Passage
2012  The Butterfly Room
2012  The Dark Knight Rises
2014  Bad Ass 2: Bad Asses
2014  Camp X-Ray
2014  Jump!
2016  Ouija: Origin of Evil

Set Decoration:
1999  Storm
2004  Half-Caste
2009  Red Sands
2009  Stay Cool
2010  The 41–Year–Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It
2011  Hostel: Part III
2011  Scream of the Banshee
2011  Without Men
2012  Rites of Passage
2012  The Butterfly Room
2012  The Dark Knight Rises
2014  Bad Ass 2: Bad Asses
2014  Camp X-Ray
2014  Jump!
2016  Ouija: Origin of Evil

Gaffer:
2024  Presumed Innocent

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.