A work in constant progress (and occasional regress).
Release Date:
February 24, 2009
Original Title:
Red Sands
Alternate Titles:
Força Maligna
La reliquia del mal
Vörös homok
Genres:
Action | Horror | War
Production Companies:
Deviant Films
Silver Nitrate
Stage 6 Films
Tricky Pictures
Production Countries:
United States of America
Ratings / Certifications:
GB: 18 HU: 16 JP: PG12 NL: 18 SE: 15 US: R
Runtime: 89
A group of U.S. soldiers on a mission in the Middle East find themselves with nothing to do in their free time. Out of sheer boredom they end up destroying an old statue in the desert, only to unleash a horrific entity.
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ADR Editor:
Paul Hackner
ADR Mixer:
Jeremy Balko
ADR Recordist:
Rick Gould
Additional Music:
Alex Turner
Additional Second Assistant Camera:
Erik Gunnar Mortensen
Armorer:
Torrence Hall
Assistant Camera:
Alicia Garcia
Assistant Editor:
Josh Hunt
Sherwood Jones
Assistant Production Coordinator:
Scotty Pierce
Best Boy Electric:
Anthony Gudino
James Plaxton
Paul Summers
Best Boy Grip:
Stephen James
Edwin Ventura
Boom Operator:
Cole Bluma
Carpenter:
Travis Morley
Casting:
Shannon Makhanian
Co-Producer:
Shane West
Simon Barrett
Colorist:
George Koran
Compositor:
Benoit Doidic
Construction Coordinator:
Fernando Lau
Costume Assistant:
Andrea De Araujo
Anthony M. Taisacan
Costume Design:
Bonnie Stauch
Costume Supervisor:
Svea Macek
Craft Service:
Alan Rackley
Dialogue Editor:
Paul Hackner
Mike Szakmeister
Greg Ward
Digital Compositor:
David Fred Masselink
Michael Raphaelovich
Casey Yahnke
Digital Intermediate Colorist:
Robert S. Douglas
Director:
Alex Turner
Director of Photography:
Sean O'Dea
Editor:
Alexis Spraic
Electrician:
Graham Bremner
Cameron Gordon
Kenneth Wales
Halsey D. Corbin
Extras Casting:
Vanessa Portillo
Sam Sako
First Assistant Camera:
Carlos Doerr
First Assistant Director:
Joel Jeffrey Nishimine
Foley Artist:
Shelley Roden
Foley Editor:
Ryan Anthony Arakaki
Foley Mixer:
Matthew C. Beville
Gaffer:
Cooper Donaldson
Grip:
David M. Adams
Brad Carr
Magic J. Ellingson
Key Grip:
Hawke Clothier
Brad Heiner
Key Makeup Artist:
Alex Noble
Leadman:
Dino Robinson
Location Manager:
Amy Jarvela
Makeup Artist:
Rhonda Dobbins
Music:
Luke Rothschild
Online Editor:
Greg Hart
Producer:
David Hillary
Timothy Wayne Peternel
Ash R. Shah
Alex Turner
Production Accountant:
Laura Warner
Production Assistant:
Pernille Trojgaard
Production Coordinator:
Brenda Arson
Production Design:
Anthony R. Stabley
Production Executive:
Aaron Ezolt
Production Intern:
Max Toigo
Ryan Kohler
Production Office Assistant:
Kelly Casey
Courtney Nicholas
Property Master:
Treven Bedwell
Rigging Gaffer:
Howard Newstate
Script Supervisor:
Erin Tarasi
Second Assistant Camera:
VanNessa Manlunas
Security:
Darryl Lewis
Roy A. Ruiz Jr.
Set Decoration:
Rebecca Totman
Set Designer:
Katherine Herl
Set Dresser:
Jonathan Hanrahan
Dennis Ivarsson
Zack Krone
Ram Paul Silbey
Set Production Assistant:
Adam W. Chang
Tara Fischer
Erin F. Larsen
Sound Effects Editor:
Kelly Cabral
Rachel Holley
Melissa A. Corns
Sound Mixer:
Neil Spritz
Sound Re-Recording Mixer:
Eric Lalicata
Sound Supervisor:
Dan Snow
Special Effects Supervisor:
Rudy Perez
Special Effects Technician:
Phylo Holaday
Rudy Perez Jr.
Still Photographer:
Alexandre Themistocleous
Storyboard Artist:
Peter Carpenter
Studio Teacher:
Marty Carlin
Stunt Coordinator:
Jayson Dumenigo
Michael Li
Stunts:
Brian Avery
Supervising Sound Editor:
Eric Lalicata
Transportation Captain:
Larry Riggen
Transportation Coordinator:
Billy Kane
Unit Publicist:
Lapacazo M. Sandoval
Visual Effects Producer:
Julie Leibovitz
James Potter Jr.
David Scandlyn
Visual Effects Supervisor:
Stephen Lebed
Writer:
Simon Barrett
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.