A work in constant progress (and occasional regress).
Birthplace:
Ann Arbor, Michigan, USA
Born:
October 6, 1962
John Knoll (born October 6, 1962) is an American visual effects supervisor and chief creative officer (CCO) at Industrial Light & Magic (ILM). One of the original creators of Adobe Photoshop (along with his brother, Thomas Knoll), he has also worked as a visual effects supervisor on the Star Wars prequels and the 1997 special editions of the original trilogy. He also served as ILM's visual effects supervisor for Star Trek Generations and Star Trek: First Contact, as well as the Pirates of the Caribbean series. Along with Hal Hickel, Charles Gibson, and Allen Hall, Knoll and the trio's work on Pirates of the Caribbean: Dead Man's Chest earned them the Academy Award for Best Visual Effects. Knoll has been praised by directors James Cameron, Gore Verbinski, Guillermo del Toro, and Brad Bird. Del Toro, who worked with Knoll for the first time on Pacific Rim, stated, "He basically has the heart of a kid and the mind of a scientist, and that's a great combination." Knoll is also the inventor of Knoll Light Factory, a lens flare-generating software inspired by his work at Industrial Light and Magic. He was the Computer Graphics Project Designer on The Abyss, an achievement that earned ILM its tenth Oscar, and worked on two Star Trek episodes: Star Trek: The Next Generation's pilot episode ("Encounter at Farpoint") and the Star Trek: Deep Space Nine episode "Explorers." Knoll had a cameo appearance in Star Wars Episode I: The Phantom Menace as a fighter pilot and helped pitch the story of Rogue One, a feature film set in the Star Wars series, for which he also worked as a writer and executive producer. John Knoll reflected on his work with George Lucas on the Star Wars prequel trilogy: "I still feel like I owe George a lot to have been given that opportunity. On those three films, I feel like I got a whole career’s worth of experience packed into eight years. George never constrained his thinking to what he knew for sure the tools were capable of; his attitude was, “Yeah, well, I’m writing what I want to see, so you guys will figure it out.” I loved that he would constantly throw those challenges out with the confidence [that] you guys would figure it out. That was great." In 2016, John Knoll and his brother Thomas were inducted into the International Photography Hall of Fame and Museum. At the 2019 Oscars, John and his brother Thomas were awarded a Scientific and Engineering Award for the original architecture, design, and development of Photoshop. Description above from the Wikipedia article John Knoll, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Executive Producer:
2016 Rogue One: A Star Wars Story
Story:
2016 Rogue One: A Star Wars Story
Visual Effects Supervisor:
1990 Spaced Invaders
1990 The Hunt for Red October
1991 Hook
1991 Hudson Hawk
1994 Star Trek: Generations
1996 Mission: Impossible
1996 Star Trek: First Contact
1999 Deep Blue Sea
1999 Star Wars: Episode I - The Phantom Menace
2000 Mission to Mars
2002 Star Wars: Episode II - Attack of the Clones
2003 Pirates of the Caribbean: The Curse of the Black Pearl
2005 Star Wars: Episode III - Revenge of the Sith
2006 Pirates of the Caribbean: Dead Man's Chest
2007 Pirates of the Caribbean: At World's End
2008 Speed Racer
2009 Avatar
2009 Confessions of a Shopaholic
2011 Hugo
2011 Mission: Impossible - Ghost Protocol
2011 Rango
2011 Super 8
2013 Pacific Rim
2016 Rogue One: A Star Wars Story
2018 The Other Side of the Wind
2021 Jungle Cruise
Visual Effects Supervisor:
2024 Star Wars: Skeleton Crew
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.