A work in constant progress (and occasional regress).
Release Date:
November 22, 2011
Original Title:
Hugo
Alternate Titles:
A leleményes Hugo - 3D
Hraniteli vremeni
Hugo - 3D
Hugo Cabret' leiutis
Hugo isradimas
The Invention of Hugo Cabret
ปริศนามนุษย์กลของอูโก้
ปริศนามนุษย์กลของฮิวโก้
ヒューゴの不思議な発明:2011
雨果的冒险
雨果的巴黎奇幻歷險
Genres:
Adventure | Drama | Family
Production Companies:
GK Films
Infinitum Nihil
Mandate International
Paramount Pictures
Sikelia Productions
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: PG BE: 14 BR: 10 CA: PG CH: 12 CZ: U DE: 6 DK: 7 ES: APTA FI: K-7 FR: U GB: U GR: Κ HU: 12 IE: PG KR: All NL: 14|9 NO: 9|7 NZ: G PL: AL PT: M/12 RO: AP RU: 12+ SE: 15|7 TH: G US: PG
Runtime: 126
Orphaned and alone except for an uncle, Hugo Cabret lives in the walls of a train station in 1930s Paris. Hugo's job is to oil and maintain the station's clocks, but to him, his more important task is to protect a broken automaton and notebook left to him by his late father. Accompanied by the goddaughter of an embittered toy merchant, Hugo embarks on a quest to solve the mystery of the automaton and find a place he can call home.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Department Assistant:
Alex Bowens
Art Direction:
Martin Foley
Stuart Rose
Assistant Costume Designer:
Allison Pokladowski
Best Boy Electrician:
Paul Sharp
Book:
Brian Selznick
Casting:
Ellen Lewis
Casting Associate:
Meghan Rafferty
Costume Design:
Sandy Powell
Costume Supervisor:
David Davenport
Dialogue Editor:
Philip Stockton
Branka Mrkic
Digital Effects Supervisor:
Alex Henning
Digital Intermediate:
Marisa Clayton
Director:
Martin Scorsese
Director of Photography:
Robert Richardson
Editor:
Thelma Schoonmaker
Executive Producer:
David Crockett
Barbara De Fina
Christi Dembrowski
Georgia Kacandes
Emma Tillinger Koskoff
Charles Newirth
First Assistant "B" Camera:
Olly Tellett
First Assistant Director:
Christopher Surgent
First Assistant Sound Editor:
Chris Fielder
Foley:
Marko Costanzo
Frank Kern
George A. Lara
Foley Editor:
Kam Chan
Jamie Baker
Gaffer:
Lee Walters
Grip:
Lee Eldred
Hair Designer:
Jan Archibald
Hairstylist:
Laura Schalker
Suzanne Stokes-Munton
Line Producer:
John Bernard
Location Manager:
Ben Gladstone
Makeup Artist:
Kate Benton
Deborah Jarvis
Makeup Designer:
Morag Ross
Music Editor:
Jennifer Dunnington
Original Music Composer:
Howard Shore
Post Production Supervisor:
Kelley Cribben
Michael Solinger
Producer:
Martin Scorsese
Johnny Depp
Tim Headington
Graham King
Production Design:
Dante Ferretti
Production Sound Mixer:
John Midgley
Property Master:
David Balfour
Scientific Consultant:
Clive Lamming
Scoring Mixer:
Simon Rhodes
Screenplay:
John Logan
Script Supervisor:
Martha Pinson
Set Decoration:
Francesca Lo Schiavo
Sound Designer:
Eugene Gearty
Sound Re-Recording Mixer:
Tom Fleischman
Special Effects Supervisor:
Joss Williams
Still Photographer:
Jaap Buitendijk
Stunt Coordinator:
Doug Coleman
Stunts:
Marc Mailley
Gillian Aldam
Eliza Coleman
Michael Byrch
Supervising ADR Editor:
Marissa Littlefield
Supervising Art Director:
David Warren
Supervising Sound Editor:
Philip Stockton
Thanks:
Rick Yorn
Stephen Castor
Transportation Coordinator:
Charles Heidet
VFX Artist:
Jeremiah Sweeney
Edson Williams
Visual Effects:
Max Leonard
Thomas Nittmann
Craig Barron
Visual Effects Editor:
Matt Garner
Visual Effects Producer:
Karen M. Murphy
Michael Kowalski
Visual Effects Supervisor:
Robert Legato
Ben Grossmann
John Knoll
Wigmaker:
Stephanie Hovette
Writer:
Brian Selznick
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.