A work in constant progress (and occasional regress).
Foley Artist:
2021 Wildes Innsbruck: Zwischen Moderne und alpiner Wildnis
2022 Echo
Music:
2021 Eva-Maria
2021 Wildes Innsbruck: Zwischen Moderne und alpiner Wildnis
2022 Echo
Music Editor:
2011 Treasure Guards
2012 Taken Back: Finding Haley
2013 Absolute Deception
2013 Dangerous Intuition
2015 Stolen Daughter
2016 Contract to Kill
2016 End of a Gun
2017 Killing Salazar
2021 Eva-Maria
2021 Wildes Innsbruck: Zwischen Moderne und alpiner Wildnis
2022 Echo
Sound:
2011 Treasure Guards
2012 Taken Back: Finding Haley
2013 Absolute Deception
2013 Dangerous Intuition
2015 Stolen Daughter
2016 Contract to Kill
2016 End of a Gun
2017 Killing Salazar
2021 Eva-Maria
2021 Wildes Innsbruck: Zwischen Moderne und alpiner Wildnis
2022 Echo
???? Nebelkind: The End of Silence
Sound Designer:
2011 Treasure Guards
2012 Taken Back: Finding Haley
2013 Absolute Deception
2013 Dangerous Intuition
2015 Stolen Daughter
2016 Contract to Kill
2016 End of a Gun
2017 Killing Salazar
2021 Eva-Maria
2021 Wildes Innsbruck: Zwischen Moderne und alpiner Wildnis
2022 Echo
???? Nebelkind: The End of Silence
Sound Mixer:
2011 Treasure Guards
2012 Taken Back: Finding Haley
2013 Absolute Deception
2013 Dangerous Intuition
2015 Stolen Daughter
2016 Contract to Kill
2016 End of a Gun
2017 Killing Salazar
2021 Eva-Maria
2021 Wildes Innsbruck: Zwischen Moderne und alpiner Wildnis
2022 Echo
???? Nebelkind: The End of Silence
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.