A work in constant progress (and occasional regress).
Release Date:
November 18, 2013
Original Title:
Dangerous Intuition
Alternate Titles:
Deadly Visions
L'ombra del male
Genres:
Drama | Mystery | TV Movie | Thriller
Production Companies:
Deadly Visions Productions
Reel World Management
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 82
Kate Aldrich, a successful career woman is devastated when her husband leaves her for stay at home mom, Laura, with whom she is forced to share custody of her beloved daughter, Izzy. But Kate's despair soon turns to terror as she begins to have intense visions that Izzy is in mortal danger -- and becomes convinced that Laura is the threat
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Assistant Editor:
Alexander M. Wood
Boom Operator:
Chris Higgins
Casting:
Don Carroll
Sean Cossey
Costume Design:
Lorraine Carson
Dialogue Editor:
Roger Morris
Director:
Roger Christian
Director of Photography:
Kamal Derkaoui
Editor:
Daryl K. Davis
First Assistant Director:
Joanne Gerein
Gaffer:
Owen Taylor
Hairstylist:
Briana Scott
Key Grip:
Jeff Plecas
Line Producer:
Craig Forrest
Music:
Michael Richard Plowman
Music Editor:
Isobel Cope
Painter:
Peter Lieshout
Producer:
Connie Dolphin
Ron French
Production Coordinator:
Jennifer Osborne
Production Design:
Tedd Kuchera
Property Master:
Ben Krakowsky
Script Supervisor:
Sandra Montgomery
Set Decoration:
Mark Davidson
Sound Designer:
Jeff Jackman
Sound Editor:
Angelo Nicoloyannis
Special Effects Supervisor:
William D. Ryan
Stunt Coordinator:
Kirk Jarrett
Writer:
Diana MacKenzie
Roman Roth
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.