A work in constant progress (and occasional regress).
Jay Maidment started his career as a unit photographer covering TV documentaries and dramas. Then in 1997 he was introduced to established unit photographer Keith Hamshere, who invited him to be his replacement on the set of Tomorrow Never Dies (1997). Jay seized the opportunity and quickly learnt the art of working on a major action film. Jay moved through an impressive list of films, working with Hamshere again on two further Bond films, The World is Not Enough (1999) and Die Another Day (2002). In 2006 he was requested to be the unit photographer to cover Daniel Craig's first outing as Bond in Casino Royale (2006). The following year he joined the prestigious Society of Motion Picture Still Photographers (SMPSP), with whom he has participated in several exhibitions. In recent years he has become best known for his work on several action films and has added Marvel Studios to his impressive list of clients. Working on Captain America: The First Avenger (2011), Thor: The Dark World (2013), Guardians of the Galaxy (2014), Avengers: Age of Ultron (2015), Doctor Strange (2016), Spider-Man: Far From Home (2019), Black Widow (2021), Venom: Let There Be Carnage (2021), Morbius (2022), Doctor Strange in the Multiverse of Madness (2022), Ant-Man and the Wasp: Quantumania (2023), Deadpool & Wolverine (2024), Kraven The Hunter (2024), and The Fantastic Four: First Steps (2025). Equally, he can apply his skill and discreet manner to a broad range of genres, most notably Clint Eastwood's Hereafter (2010), the Wachowski/Tykwer collaboration Cloud Atlas (2012), Tim Burton's Miss Peregrine's Home for Peculiar Children (2016) & Dumbo (2019), Rob Marshall's musical Mary Poppins Returns (2018), and Robert Zemeckis' Here (2024). In 2017 he became a member of the British Academy of Film and Television Arts (BAFTA). Jay lives in London, UK, & France. Information above via their homepage.
Additional Set Photographer:
2008 Wanted
Additional Still Photographer:
1997 Tomorrow Never Dies
2008 Wanted
2024 The Beekeeper
Still Photographer:
1997 Tomorrow Never Dies
1998 Déjà Vu
1999 Beautiful People
2000 Highlander: Endgame
2000 Relative Values
2002 Deserter
2004 Agent Cody Banks 2: Destination London
2004 Beyond the Sea
2004 The Bourne Supremacy
2004 The Rocket Post
2006 Casino Royale
2006 Driving Lessons
2006 Flyboys
2006 Ultraviolet
2007 Sunshine
2007 The Last Legion
2008 Blackout
2008 Doomsday
2008 Wanted
2009 Into the Storm
2009 Pandorum
2009 The International
2010 Centurion
2010 Clash of the Titans
2010 Hereafter
2010 Thorne: Scaredycat
2011 Captain America: The First Avenger
2011 Unknown
2012 Cloud Atlas
2012 Wrath of the Titans
2013 Closed Circuit
2013 Thor: The Dark World
2014 Guardians of the Galaxy
2014 Muppets Most Wanted
2015 Avengers: Age of Ultron
2016 Doctor Strange
2016 Miss Peregrine's Home for Peculiar Children
2016 Now You See Me 2
2018 Mary Poppins Returns
2018 The Commuter
2019 Dumbo
2019 Spider-Man: Far From Home
2020 Dolittle
2021 Black Widow
2022 Doctor Strange in the Multiverse of Madness
2022 Morbius
2023 Ant-Man and the Wasp: Quantumania
2024 Deadpool & Wolverine
2024 Here
2024 Kraven the Hunter
2024 Speak No Evil
2024 The Beekeeper
2025 Bridget Jones: Mad About the Boy
2025 The Fantastic Four: First Steps
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.