A work in constant progress (and occasional regress).
Release Date:
March 3, 2006
Original Title:
Ultraviolet
Alternate Titles:
Ultraviolet - UR
Ultraviolette
紫光任務
紫外线
울트라바이올렛
Genres:
Action | Science Fiction | Thriller
Production Companies:
Salon Films
Screen Gems
Ultravi Productions
Production Countries:
Hong Kong | United States of America
Ratings / Certifications:
BE: 16 BR: 12 DE: 12 FI: K-18 GB: 15 GR: 13 HU: 18 IE: 15A IT: T JP: G KR: 12 NL: 12 PL: 12 PT: M/16 SE: 11 US: PG-13
Runtime: 87
In the late 21st century, a subculture of humans have emerged who have been modified genetically by a vampire-like disease, giving them enhanced speed, incredible stamina and acute intelligence. As they are set apart from "normal" and "healthy" humans, the world is pushed to the brink of worldwide civil war aimed at the destruction of the "diseased" population. In the middle of this crossed-fire is - an infected woman - Ultraviolet, who finds herself protecting a nine-year-old boy who has been marked for death by the human government as he is believed to be a threat to humans.
"A" Camera Operator:
Chor Keung Chan
ADR Editor:
Larry Kemp
ADR Mixer:
Howard London
Additional Music:
Dave Porter
Additional Second Assistant Director:
Margie Beattie
Art Department Coordinator:
Hana Espinoza
Johnny Wang
Art Direction:
Joel Chong Kwok-Wing
Assistant Accountant:
Marilyn Zhuang
Assistant Art Director:
William Kan
Assistant Costume Designer:
Cori Burchell
Assistant Hairdresser:
Ronald Yeung
Assistant Makeup Artist:
Jason Fu
Assistant Sound Editor:
Margit Pfeiffer
Boom Operator:
Scott Piper
CG Artist:
Gary Abrahamian
CG Supervisor:
Jason Wardle
Camera Operator:
Jimmy Wong
Stanley Hung
Noah Weinzweig
Casting:
Justine Arteta
Kim Davis-Wagner
Casting Assistant:
Aaron Ho
Casting Associate:
Catherine Engel
Chief Lighting Technician:
Chow Lam
Co-Producer:
Louis Sit
Compositing Supervisor:
Mark A. Kolars
Compositor:
Jayni Borgaro
Costume Coordinator:
Jack Tung
Costume Design:
Joseph A. Porro
Craft Service:
Keith Giesbrecht
Digital Color Timer:
Natasha Leonnet
Digital Imaging Technician:
Calvin Roberts
Digital Intermediate Colorist:
Michael Eaves
Digital Intermediate Editor:
Lisa Tutunjian
Digital Intermediate Producer:
Bob Fernley
Director:
Kurt Wimmer
Director of Photography:
Arthur Wong Ngok-Tai
Editor:
William Yeh
Executive Producer:
T.C. Wang
Tony Mark
Sue Jett
Charles Wang
Executive Visual Effects Producer:
Julie Orosz
Fight Choreographer:
Mike Smith
First Assistant Accountant:
Kirsten Anderson
First Assistant Director:
Phil Jones
First Assistant Editor:
Maria Gonzales
Foley Artist:
Edward Steidele
Foley Mixer:
Matthew C. Beville
Hairstylist:
Jamie Pritchard
Gemma Waugh
Key Costumer:
Jay Cheng
Key Grip:
Ben Chau
Key Hair Stylist:
Meinir Jones-Lewis
Key Makeup Artist:
Meinir Jones-Lewis
Line Producer:
Rita Fung Fung-Chun
Wan Allen
Sam Shia Wai-Sum
Local Casting:
Madalena Chan
Miao Liang
Location Manager:
Man Cheuk-Kau
Makeup Artist:
Gemma Waugh
Marie Nardella
Music Arranger:
Wolfram de Marco
Music Consultant:
Scottpatrick J. Sellitto
Music Editor:
Christopher Brooks
Brian Richards
Negative Cutter:
Mo Henry
Original Music Composer:
Klaus Badelt
Post Production Supervisor:
Desmond Cannon
Producer:
John Baldecchi
Pauline Chan
Production Accountant:
Joyce Hsieh
Production Assistant:
Regaye Fulcher
Production Controller:
Peggy Lee
Production Coordinator:
Alexandra Taussig
Julia Neighly
Production Design:
Choo Sung-Pong
Production Illustrator:
Rick Remender
Production Manager:
Johnny Lee
Luo Gang
Petrina Ho
Production Secretary:
Lanny Dong
Production Supervisor:
Antonia Barnard
Publicist:
Flax Glor
Research Assistant:
Don Guarisco
Rigging Gaffer:
Cheung Kwok Wah
Script Supervisor:
Renee Burke
Second Assistant "B" Camera:
Johnathan Chan
Second Assistant Director:
Jason Faulkner
Second Second Assistant Director:
Michelle McGonagle
Second Unit Director:
Tony Mark
Senior Animator:
Yong Shen
Set Costumer:
Jackie Cheng
Set Decoration:
Chung Kim-Wai
Set Designer:
Roberto Bonelli
Rufina Lo
Sound Designer:
Peter Brown
Sound Editor:
Dean Beville
James Matheny
Dana Gustafson
Sound Effects Designer:
Steven Ticknor
Peter Brown
Sound Effects Editor:
Richard Burton
Sound Mixer:
Bob Clayton
Sound Re-Recording Mixer:
Ezra Dweck
Jonathan Wales
Special Effects:
Corey Pritchett
Special Effects Coordinator:
Darrell Pritchett
Special Effects Supervisor:
Casey Pritchett
Special Sound Effects:
Gary A. Hecker
Steadicam Operator:
Raymond Lam Fai-Tai
Still Photographer:
Jay Maidment
Story Editor:
Monica Sandstede
Storyboard Artist:
Mark Lambert Bristol
Stunt Coordinator:
Mike Smith
Robert Alonzo
Stunt Double:
Alicia Vela-Bailey
Jennifer Caputo
Stunts:
Igor Breakenback
Justin Riemer
Martin K.R. Zetterlund
Clay Cullen
Roberto Gutierrez
Daniel O'Neill
Mitch Gould
Daniel Donai
David Ismalone
Dino Dos Santos
Jay Caputo
Tim Connolly
Jon Valera
Ronn Surels
Mike Gunther
Cody Weselis
Glen Yrigoyen
Troy Brenna
Marc Redmond
Niko Rusakov
David Hugghins
Zhang Chongwei
J.J. Perry
Daniel Arrias
Supervising Art Director:
Bernardo Trujillo
Supervising Sound Editor:
Peter Brown
Stephen Hunter Flick
Technical Advisor:
Andy Armstrong
Technical Supervisor:
Yaozu Huang
Third Assistant Director:
Stephanie Cheung
Unit Manager:
Aaron Shershow
Unit Production Manager:
Tony Mark
Unit Publicist:
Moira Houlihan
Utility Stunts:
Larnell Stovall
Robert Alonzo
Nito Larioza
Thom Khoury Williams
Chris Torres
Randall Archer
Visual Effects Coordinator:
Jack Ho
Visual Effects Producer:
Neil Greenberg
Steven Calcote
Visual Effects Supervisor:
Victor Wong Wang-Tat
Rongguo Fang
Writer:
Kurt Wimmer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.