A work in constant progress (and occasional regress).
Art Direction:
1997 Tentação
1999 Hornblower: The Frogs and the Lobsters
2008 Amália
2015 A Century of Energy
2017 That Good Night
2023 There's Always Hope
Head Decorator:
1997 Tentação
1999 Hornblower: The Frogs and the Lobsters
2004 Mixed Marriage
2008 Amália
2015 A Century of Energy
2017 That Good Night
2023 There's Always Hope
Production Design:
1997 Napomuceno's Will
1997 Tentação
1999 Hornblower: The Frogs and the Lobsters
2000 Monsanto
2001 Man of the Crowds
2004 Mixed Marriage
2008 Amália
2009 Star Crossed
2011 My Name Is Bernadette
2013 Night Train to Lisbon
2015 A Century of Energy
2017 That Good Night
2023 There's Always Hope
Prop Designer:
1988 El río que nos lleva
1997 Napomuceno's Will
1997 Tentação
1999 Hornblower: The Frogs and the Lobsters
2000 Monsanto
2001 Man of the Crowds
2004 Mixed Marriage
2008 Amália
2009 Star Crossed
2011 My Name Is Bernadette
2013 Night Train to Lisbon
2015 A Century of Energy
2017 That Good Night
2023 There's Always Hope
Supervising Art Director:
1988 El río que nos lleva
1997 Napomuceno's Will
1997 Tentação
1999 Hornblower: The Frogs and the Lobsters
2000 Monsanto
2001 Man of the Crowds
2004 Mixed Marriage
2008 Amália
2009 Star Crossed
2011 My Name Is Bernadette
2013 Night Train to Lisbon
2015 A Century of Energy
2017 That Good Night
2020 Fatima
2023 There's Always Hope
Production Design:
2005 João Semana
2006 Quando os Lobos Uivam
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.