A work in constant progress (and occasional regress).
Release Date:
March 3, 2023
Original Title:
There’s Always Hope
Genres:
Drama
Production Companies:
Rainmaker Content
Production Countries:
United Kingdom
Ratings / Certifications:
CA: 18A NL: 14
Runtime: 90
Author Jonathan Stack, who has been so obsessed with trying to pen his magnum opus that he’s let his marriage to Samantha, who is also his agent and editor, break down to the point where she announces she’s leaving him for her business partner.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Department Assistant:
Eve Williams
Art Direction:
Augusto Mayer
Katrina Stewart
Associate Producer:
Arran MacLennan
Boom Operator:
stephen partington
Cinematography:
Ali Asad
Costume Design:
Janice Rider
Digital Compositor:
Ben Ramskill
Director:
Tim Lewiston
Editor:
Jeremy Gibbs
Executive Producer:
Vanda Everke
Julian Hicks
Lionel Hicks
Geoffrey Iles
First Assistant Director:
Steven Eniraiyetan
Floor Runner:
Hannah Webb-Morris
Foley Editor:
Stuart Bagshaw
Line Producer:
Harriet Hammond
Makeup & Hair Assistant:
Sara Love
Sharon Philips
Makeup Artist:
Jill Hornby
Makeup Supervisor:
Marcia Blackwood
Music:
Guy Farley
Producer:
Victor Glynn
Alan Latham
Production Accountant:
Stephen Naulls
Production Assistant:
Maria João Carneiro
Joana Van Hellemond
Production Coordinator:
Nina Klunder
Lauren Parker
Production Design:
Tim Hutchinson
Production Manager:
Harry Klunder
Props:
Frédérique Bertrand
Script Editor:
Toby Torlesse
Script Supervisor:
Kelley Axton
Second Assistant Director:
Filipe Ruffato
Sound Mixer:
Robert Farr
Simon Hornett
Sound Technical Supervisor:
Ronnie Mukwaya
Third Assistant Director:
Georgia Hampson
Ana Rostron
Writer:
Tim Lewiston
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.