A work in constant progress (and occasional regress).
Boom Operator:
2013 Yeh Jawaani Hai Deewani
2014 As Above, So Below
2014 The Man Who Knew a Lot
2018 The 15:17 to Paris
2024 Le bonheur est pour demain
Sound:
2010 Les Larmes
2010 Un nuevo baile
2011 Free Radicals: A History of Experimental Film
2013 Je marcherai jusqu'à la mer
2013 Yeh Jawaani Hai Deewani
2014 As Above, So Below
2014 The Man Who Knew a Lot
2017 Chateau
2018 Let Me Love
2018 The 15:17 to Paris
2019 André Téchiné: A Passion for Cinema
2021 I Have Been Waiting For You
2024 Drone
2024 Le bonheur est pour demain
Sound Engineer:
2010 Les Larmes
2010 Un nuevo baile
2011 Free Radicals: A History of Experimental Film
2012 Le Locataire
2013 Je marcherai jusqu'à la mer
2013 Yeh Jawaani Hai Deewani
2014 As Above, So Below
2014 The Man Who Knew a Lot
2017 Chateau
2018 Let Me Love
2018 The 15:17 to Paris
2018 The State Against Mandela and the Others
2019 André Téchiné: A Passion for Cinema
2021 I Have Been Waiting For You
2024 Drone
2024 Le bonheur est pour demain
Sound Mixer:
2010 Les Larmes
2010 Un nuevo baile
2011 Free Radicals: A History of Experimental Film
2012 Le Locataire
2013 Je marcherai jusqu'à la mer
2013 Yeh Jawaani Hai Deewani
2014 As Above, So Below
2014 The Man Who Knew a Lot
2015 The Other Night Factory
2017 Chateau
2018 Let Me Love
2018 The 15:17 to Paris
2018 The State Against Mandela and the Others
2019 André Téchiné: A Passion for Cinema
2021 I Have Been Waiting For You
2023 Les Indésirables
2024 Drone
2024 Le bonheur est pour demain
Supervising Sound Editor:
2010 Les Larmes
2010 Un nuevo baile
2011 Free Radicals: A History of Experimental Film
2012 Le Locataire
2013 Je marcherai jusqu'à la mer
2013 Yeh Jawaani Hai Deewani
2014 As Above, So Below
2014 The Man Who Knew a Lot
2015 The Other Night Factory
2017 Chateau
2018 Let Me Love
2018 The 15:17 to Paris
2018 The State Against Mandela and the Others
2019 André Téchiné: A Passion for Cinema
2021 I Have Been Waiting For You
2023 Les Indésirables
2024 Drone
2024 Le bonheur est pour demain
Sound:
2020 Cheeky Business
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.