A work in constant progress (and occasional regress).
Release Date:
August 14, 2014
Original Title:
As Above, So Below
Alternate Titles:
Amok le'ma'ala
As Above/So Below
Assim na Terra Como no Inferno
Así en la Tierra como en el Infierno
Catacombes
Derin Kabus
Hầm Mộ Ma Quái
Jako w piekle, tak i na Ziemi
Kaip danguje, taip ir po zeme
Kako gore, tako dole
Katakombalar
Katakomben
Là-haut comme ici-bas
Necropolis - La città dei morti
O Reflexo do Medo
Parīze: Mirušo pilsēta
Pod zemou
Pod zemí
Precum in iad, asa si pe pamant
U mraku katakombe
Úgy fent, mint lent
Όπως ψηλά, έτσι και χαμηλά
Както горе, така и долу
Париж. Місто мертвих
Париж: Город мертвых
كما في الأعلى، كذلك في الأسفل
แดนหลอนสยองใต้โลก
地下に潜む怪人
地下墓穴
巴黎地下坟场
巴黎地下墓穴
忐忑
Genres:
Horror | Thriller
Production Companies:
Brothers Dowdle Productions
Legendary Pictures
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
BE: 18 CZ: 15+ DE: 16 ES: 16 FR: 12|16 GB: 15 IE: 15A JP: R18+ NL: 16|12 PL: 16 PT: M/16 RO: 15 SE: 15 SK: 15|18 US: R
Runtime: 93
When a team of explorers ventures into the uncharted maze of bones that lies beneath the streets of Paris, they embark on a journey into madness and terror.
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3D Artist:
Yeonsoo Kim
Ken Pellegrino
Additional Editor:
Rowan Maher
Art Direction:
Pascal Le Guellec
Assistant Art Director:
Frédéric Cambon
Augustin Collet
Assistant Editor:
Dustin Chow
Assistant Property Master:
Pierre Farinole
Best Boy Electric:
Arnaud Dutarte
Boom Operator:
Gautier Isern
Casting:
Tamara Hunter
Sarah Halley Finn
Juliette Ménager
Suzanne Smith Crowley
Casting Assistant:
Marie Lévy
Émilie Mériot
Laurence Wayser
Casting Associate:
Claire Koonce
Co-Producer:
Dan Chuba
Jamie Dixon
Construction Buyer:
Mathieu Chatagnon
Xavier Longuet
Fabien Raymondaud
Frédéric Garrone
Construction Coordinator:
Martinus Van Lunen
Construction Grip:
Miguel Dos Santos
Samir Moundy
Didier Roussel
Bertrand Terreyre
Adail Viveiros
Jean-Claude Waeyaert
Costume Design:
Annie Bloom
Costumer:
Floriane Gaudin
Digital Intermediate:
Vahe Giragol
Eric Canto
Jason Modica
Digital Intermediate Producer:
Daniel Hawley
Director:
John Erick Dowdle
Director of Photography:
Léo Hinstin
Dressing Prop:
Matthieu Van Lunen
Editor:
Elliot Greenberg
Editorial Production Assistant:
Ashleigh Falls
Electrician:
Adèle Belliot
Fabrice Mignot
Nicolas Rapin
Extras Casting:
Aurélie Avram
Extras Casting Assistant:
Victor Nataf
First Assistant Camera:
Pierluigi De Palo
First Assistant Director:
William Pruss
First Assistant Editor:
Alexa Marie-Jeanne
Foley:
Gary Marullo
Foley Editor:
Darren Sunny Warkentin
Gaffer:
Laurent Bourgeat
Hair Assistant:
Patrick Inzerillo
Miguel Santos
Anouk Grédoire-Colombel
Hair Department Head:
Kay Philips
Key Costumer:
Moïra Douguet
Key Grip:
François Tille
Location Manager:
Arnaud Kaiser
Makeup Department Head:
Isabelle Saintive
Music Supervisor:
Dan Wilcox
Original Music Composer:
Keefus Ciancia
Post Production Supervisor:
Jake Rice
Producer:
Patrick Aiello
Drew Dowdle
Jon Jashni
Thomas Tull
Production Accountant:
Emmanuelle Balestrieri
Production Controller:
Brian Wensel
Production Coordinator:
Ségolène Amice Lagny
Production Design:
Louise Marzaroli
Property Master:
Frank Pitussi
Script Supervisor:
Chloé Rudolf
Second Assistant Camera:
David Foquin
Grégori Gajéro
Set Decoration:
Eric Viellerobe
Sound Designer:
Karen Vassar Triest
Tim Walston
Sound Re-Recording Mixer:
Joe Barnett
Beau Borders
Special Effects Coordinator:
Jean-Christophe Magnaud
Special Effects Supervisor:
Philippe Hubin
Still Photographer:
Bruno Calvo
Storyboard Artist:
Pierre-Emmanuel Chatiliez
Stunt Coordinator:
Philippe Guégan
Supervising Sound Editor:
Kelly Oxford
Swing:
Stéphane Brisset
Title Designer:
Aaron Becker
Amador Valenzuela
Visual Effects Coordinator:
Katrina Kim
Isaac Lipstadt
Visual Effects Producer:
Michelle Eisenreich
Visual Effects Supervisor:
Jamie Dixon
Writer:
John Erick Dowdle
Drew Dowdle
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.