Peter Waggoner

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ADR Engineer:
1997  Kicked in the Head
1997  Subway Stories
1997  The Blood Oranges

ADR Recordist:
1997  Kicked in the Head
1997  SubUrbia
1997  Subway Stories
1997  The Blood Oranges

Sound Mixer:
1994  Who Do I Gotta Kill?
1997  Kicked in the Head
1997  SubUrbia
1997  Subway Stories
1997  The Blood Oranges

Sound Re-Recording Mixer:
1985  Kiss of the Spider Woman
1986  Down by Law
1986  Forever, Lulu
1986  Seven Minutes in Heaven
1993  The Night We Never Met
1994  The Ref
1994  Who Do I Gotta Kill?
1995  Bleeding Hearts
1996  Beautiful Girls
1997  Floating
1997  Kicked in the Head
1997  SubUrbia
1997  Subway Stories
1997  The Blood Oranges
1998  Practical Magic
1999  Black and White
1999  The Best Man
1999  The Cider House Rules
2001  The Royal Tenenbaums
2002  Bowling for Columbine
2003  Assassination Tango
2004  Coffee and Cigarettes
2005  Because of Winn-Dixie
2005  The Notorious Bettie Page
2006  Last Holiday
2006  Sherrybaby
2006  The Groomsmen
2007  Anamorph
2010  Beware the Gonzo
2017  Spielberg
2018  Dead Pigs
2020  The Half of It
2023  Once Within a Time

Sound mixer:
1985  Kiss of the Spider Woman
1986  Down by Law
1986  Forever, Lulu
1986  Seven Minutes in Heaven
1993  The Night We Never Met
1994  The Ref
1994  Who Do I Gotta Kill?
1995  Bleeding Hearts
1996  Beautiful Girls
1997  Floating
1997  Kicked in the Head
1997  SubUrbia
1997  Subway Stories
1997  The Blood Oranges
1998  Practical Magic
1999  Black and White
1999  The Best Man
1999  The Cider House Rules
2001  The Royal Tenenbaums
2002  Bowling for Columbine
2003  Assassination Tango
2003  Capturing the Friedmans
2004  Coffee and Cigarettes
2005  Because of Winn-Dixie
2005  The Notorious Bettie Page
2006  Last Holiday
2006  Sherrybaby
2006  The Groomsmen
2007  Anamorph
2010  Beware the Gonzo
2014  Nas: Time Is Illmatic
2017  Spielberg
2018  Dead Pigs
2020  The Half of It
2023  Once Within a Time

Sound Re-Recording Mixer:
2015  Master of None
2015  Quantico
2017  The Sinner
2018  Basketball: A Love Story

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.