A work in constant progress (and occasional regress).
Release Date:
February 18, 2005
Original Title:
Because of Winn-Dixie
Alternate Titles:
Grâce à Winn-Dixie
Genres:
Comedy | Drama | Family
Production Companies:
20th Century Fox
Production Countries:
United States of America
Ratings / Certifications:
AT: AA AU: PG HU: 18 JP: G US: PG
Runtime: 106
A girl, abandoned by her mother when she was three, moves to a small town in Florida with her father. There, she adopts an orphaned dog she names Winn-Dixie. The bond between the girl and her special companion brings together the people in a small Florida town and heals her own troubled relationship with her father.
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ADR Editor:
Cate Montana
ADR Recordist:
Chris Navarro
Art Department Coordinator:
Mary Frances Eglin
Art Direction:
Monroe Kelly
Boom Operator:
C. Douglas Cameron
Casting:
Todd M. Thaler
Co-Producer:
Becki Cross Trujillo
Costume Design:
Hope Hanafin
Dialogue Editor:
Jac Rubenstein
Director:
Wayne Wang
Director of Photography:
Karl Walter Lindenlaub
Editor:
Deirdre Slevin
Executive Producer:
Ralph S. Singleton
First Assistant Director:
Glen Trotiner
Foley Artist:
Marko Costanzo
Jay Peck
Foley Supervisor:
George A. Lara
Hair Department Head:
Donna Spahn
Makeup Department Head:
Allison Gordin
Novel:
Kate DiCamillo
Original Music Composer:
Rachel Portman
Producer:
Joan Singleton
Trevor Albert
Production Design:
Donald Graham Burt
Production Sound Mixer:
Steve C. Aaron
Production Supervisor:
Crystal Weaver
Property Master:
Michael S. Martin
Screenplay:
Joan Singleton
Script Supervisor:
Pamela Alch
Second Assistant Director:
Eddie Micallef
Set Decoration:
Marthe Pineau
Songs:
Nick Price
Sound Effects Editor:
Mark Filip
Sound Mixer:
Brett Eliason
Sound Re-Recording Mixer:
Lewis Goldstein
Peter Waggoner
Still Photographer:
Suzanne Tenner
Supervising Sound Editor:
Lewis Goldstein
Unit Production Manager:
Kathleen M. Courtney
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.