A work in constant progress (and occasional regress).
Birthplace:
Ukraine
Born:
January 8, 1980
Natasha Radski is a British actress. Radski has played lead roles in theatre productions including Antigone in the tragedy Antigone by Jean Anouilh, Yvonne in My Wife's Dead Mother by Georges Feydeau, Lucile in Love and the Piano by Georges Feydeau, Lidia Astafieva in The House with a View in the Field. by Alexander Vampilov. Natasha Radski got her first TV role in David Croft's sitcom Here Comes the Queen, 2007. She has played Mrs. Kominski, a guest appearance in Citizen Khan BBC series, 2016, and has worked in a guest role of the Eastern-European character Daga opposite British comedian Jo Brand in Damned Channel 4 series, 2018, produced by Lionsgate and What Larks! Productions. She has appeared in a tragic role in Dracula (2020 TV series) for BBC/Netflix. She has played the role of Russian News Reader in HBO / Sky Atlantic Chernobyl. Radski has worked for BBC Radio 4 drama and played the variety of characters. She was a sole reader of the comedy Woman of Your Dreams, played a title role, Chechen terrorist Yara in Forty-Three Fifty-Nine: Yara, Russian trafficked girl Anya in Ariel, Ukrainian nuclear scientist Tanya Moroz in The King of Pripyat, and Polish immigrant Magda who had to make difficult life choices in Dreaming in English. She was also a supporting character Edita, a Croatian friend in Josh Howie's Losing It. She has voiced the BAFTA award-winning computer game Half-Life 2 (Russian version) and Sniper Elite 5. Radski has also played Lena Korolev in "Doctor Who, Singularity", an audio drama produced by Big Finish Productions
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.