A work in constant progress (and occasional regress).
Release Date:
April 11, 2015
Original Title:
Spooks: The Greater Good
Alternate Titles:
MI-5
MI-5 - Spooks - The Greater Good
Spooks: Jogo de Espiões
Spooks: O Mestre Espião
军情五处电影版
军情五处:利益之争
軍情五處
Genres:
Action | Thriller
Production Companies:
BBC Film
Creative England
Isle of Man Film
Kudos
Pinewood Pictures
Shine Pictures
Production Countries:
United Kingdom
Ratings / Certifications:
AU: M BR: 16 DE: 16 FR: 12 GB: 15 KR: 15 NL: 12 PT: M/12 US: R
Runtime: 104
During a handover to the head of counter-terrorism of MI5, Harry Pearce, a terrorist escapes custody. When Harry disappears soon after, his protégé is tasked with finding out what happened as an impending attack on London looms, and eventually uncovers a deadly conspiracy.
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ADR Mixer:
Nick Baldock
George Atkins
Scott Cannizzaro
Ben Carr
ADR Recordist:
Sam Biggs
Aerial Director of Photography:
Adam Dale
Armorer:
Liam McCartney
Armory Coordinator:
Ben Rothwell
Art Department Assistant:
Max Klaentschi
Art Direction:
Justin Warburton-Brown
Karl Probert
Assistant Art Director:
Damian Léon Watts
Assistant Director:
Tom Ackerley
Stuart Renfrew
Richard Oxford
Boom Operator:
Ben Jeffes
Carpenter:
Jeff Woodbridge
Casting:
Reg Poerscout-Edgerton
Casting Assistant:
Katy Covell
Ollie Gilbert
Casting Associate:
Lillie Jeffrey
Clapper Loader:
Matt Wright
Co-Producer:
Jane Hooks
Colorist:
Adam Inglis
Costume Assistant:
Yolanda Collins
Costume Design:
Colleen Kelsall
Costume Supervisor:
Sheena Wichary
Digital Compositor:
Vladimir Savadov-Senchenko
Caroline Delgado
Taskin Kenan
Agueda Del Castillo
Lewis Wright
Matthew Chan
Denis Reva
Maxwell Alexander
Digital Imaging Technician:
Fabio Ferrantini
Director:
Bharat Nalluri
Director of Photography:
Hubert Taczanowski
Dolby Consultant:
Simon Chase
James Shannon
Dressing Prop:
Gareth Bailey
Mark Papworth
Roddy Dolan
Thomas Alexander
Mike Syson
Mike Rawlings
Electrician:
Mike Parsons
Mike Prior
Oliver Whickman
Epk Producer:
Alain Galès
Extras Casting:
Bev Lawley
Extras Casting Assistant:
Emily Cook
First Assistant "A" Camera:
Gian Claudio Giacomini
First Assistant "B" Camera:
Alessio Bastianelli
First Assistant Camera:
Trevor Henen
First Assistant Editor:
Nigel Bunyan
Floor Runner:
Ben Desmond
Paula C. Frías
Foley:
Jack Stew
Linda Brenon
Foley Artist:
Jack Stew
Foley Editor:
Linda Brenon
Foley Mixer:
Glen Gathard
Gaffer:
Jonathan Spencer
Graphic Designer:
Ken Lau
Grip:
Sergio Bernuzzi
Maurizio Benvenuto
Hair Designer:
Cate Hall
Hairstylist:
Kate Smith
Line Producer:
Tom Ehrhardt
Makeup Artist:
Frankie Francis
Hannah Edwards
Cate Hall
Makeup Department Head:
Emilie Yong
Makeup Designer:
Cate Hall
Makeup Supervisor:
Emilie Yong
Music Editor:
Robert Houston
Original Music Composer:
Dominic Lewis
Painter:
Mal Zawadzki
Post Production Supervisor:
Clare Maclean
Producer:
Jane Featherstone
Stephen Garrett
Ollie Madden
Production Design:
Simon Bowles
Production Manager:
Kathrin Krückeberg
Eve Swannell
Property Master:
Craig Price
Rigging Gaffer:
John Whickman
Second Assistant "A" Camera:
Esther Venanzi
Second Assistant "B" Camera:
Alias Gallione
Set Decoration:
Liz Griffiths
Sound Designer:
Samir Fočo
Sound Mix Technician:
Rolf Martens
Sound Mixer:
Ian Voigt
Sound Re-Recording Mixer:
Brendan Nicholson
Andrew Caller
Special Effects Supervisor:
Chris Reynolds
Standby Art Director:
Ben Munro
Storyboard Artist:
Temple Clark
Stunt Coordinator:
Gary Arthurs
Julian Spencer
Stunt Double:
Lucy Cork
Supervising Armorer:
Jon Baker
Supervising Art Director:
Andrew Munro
Supervising Sound Editor:
Simon Chase
Tailor:
Elizabeth Farrer
Title Designer:
Matt Curtis
Visual Effects Coordinator:
Finola O'Brien
Visual Effects Producer:
Noga Alon Stein
Visual Effects Supervisor:
Sascha Fromeyer
Mervyn New
Writer:
Jonathan Brackley
Sam Vincent
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.