A work in constant progress (and occasional regress).
Birthplace:
Bydgoszcz, Polska
Born:
August 28, 1971
Camera Operator:
2019 Tak jest dobrze
Cinematography:
2006 Kino objazdowe
2019 Tak jest dobrze
???? PRL de Luxe
Director:
2005 Behind the Fence
2005 Cisza. Druga edycja
2006 Kino objazdowe
2009 Andrzej Wajda: Róbmy zdjęcie!
2009 Katyn: 60 Days on the Set
2010 North from Calabria
2017 Zhalanash - Empty Shore
2018 I Grew Up As You Slept
2019 Tak jest dobrze
2021 Miasto
???? PRL de Luxe
Director of Photography:
2005 Behind the Fence
2005 Cisza. Druga edycja
2006 Kino objazdowe
2009 Andrzej Wajda: Róbmy zdjęcie!
2009 Katyn: 60 Days on the Set
2010 North from Calabria
2017 Zhalanash - Empty Shore
2018 I Grew Up As You Slept
2019 Tak jest dobrze
2021 Miasto
2022 Never Coming Back
2023 Leon
2024 The Last Expedition
2024 When Harmattan Blows
???? PRL de Luxe
Executive Producer:
2005 Behind the Fence
2005 Cisza. Druga edycja
2006 Kino objazdowe
2009 Andrzej Wajda: Róbmy zdjęcie!
2009 Katyn: 60 Days on the Set
2010 North from Calabria
2017 Zhalanash - Empty Shore
2018 I Grew Up As You Slept
2019 Tak jest dobrze
2019 The End of the Season
2021 Miasto
2022 Never Coming Back
2023 Leon
2024 The Last Expedition
2024 When Harmattan Blows
???? PRL de Luxe
Producer:
2005 Behind the Fence
2005 Cisza. Druga edycja
2006 Kino objazdowe
2009 Andrzej Wajda: Róbmy zdjęcie!
2009 Katyn: 60 Days on the Set
2010 North from Calabria
2017 Zhalanash - Empty Shore
2018 I Grew Up As You Slept
2019 Tak jest dobrze
2019 The End of the Season
2021 Miasto
2022 Never Coming Back
2023 Leon
2024 The Last Expedition
2024 When Harmattan Blows
???? PRL de Luxe
Screenplay:
2005 Behind the Fence
2005 Cisza. Druga edycja
2006 Kino objazdowe
2009 Andrzej Wajda: Róbmy zdjęcie!
2009 Katyn: 60 Days on the Set
2010 North from Calabria
2017 Zhalanash - Empty Shore
2018 I Grew Up As You Slept
2019 Tak jest dobrze
2019 The End of the Season
2021 Miasto
2022 Never Coming Back
2023 Leon
2024 The Last Expedition
2024 When Harmattan Blows
???? PRL de Luxe
Still Photographer:
2005 Behind the Fence
2005 Cisza. Druga edycja
2006 Kino objazdowe
2009 Andrzej Wajda: Róbmy zdjęcie!
2009 Katyn: 60 Days on the Set
2010 North from Calabria
2017 Zhalanash - Empty Shore
2018 I Grew Up As You Slept
2019 Tak jest dobrze
2019 The End of the Season
2021 Miasto
2022 Never Coming Back
2023 Leon
2024 The Last Expedition
2024 When Harmattan Blows
???? PRL de Luxe
Writer:
2005 Behind the Fence
2005 Cisza. Druga edycja
2006 Kino objazdowe
2009 Andrzej Wajda: Róbmy zdjęcie!
2009 Katyn: 60 Days on the Set
2010 North from Calabria
2017 Zhalanash - Empty Shore
2018 I Grew Up As You Slept
2019 Tak jest dobrze
2019 The End of the Season
2021 Miasto
2022 Never Coming Back
2023 Leon
2024 The Last Expedition
2024 When Harmattan Blows
???? PRL de Luxe
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.