A work in constant progress (and occasional regress).
Release Date:
May 13, 2024
Original Title:
Gdy powieje Harmattan
Genres:
Documentary
Production Companies:
Canal+
Fundacja Filmowa im. Władysława Ślesickiego
MX35
Pinot Films
Production Countries:
Ghana | Poland
Ratings / Certifications:
N/A
Runtime: 78
Barbara is 25 and lives in Accra, the capital of Ghana. As an eight-year-old girl, she shared the fate of thousands of Ghanaian children who were put to slave labour by their own parents. For years Barbara functioned in a world full of abuse, violence and fear but she survived. Although full of anger, she has been supporting her parents and pays for the family, but their expectations keep rising. One day, together with her eldest brother, Kweku, she returns to her hometown to solve some family problems. Before that can happen, Barbara has to finally confront her parents.
Co-Producer:
Katarzyna Ślesicka
Agnieszka Rostropowicz-Rutkowska
Paweł Ziemilski
Mateusz Wajda
Adam Ślesicki
Omenaa Mensah
Marta Dużbabel
Dialogue Editor:
Jarosław Sadowski
Director:
Edyta Wróblewska
Director of Photography:
Marcin Sauter
Piotr Bernaś
Editor:
Anna Garncarczyk
Katarzyna Orzechowska
Original Music Composer:
Paweł Bartnik
Olgierd Dokalski
Producer:
Edyta Wróblewska
Production Coordinator:
Krzysztof Lewandowski
Kweku Isaac Kumi
Production Manager:
Zofia Kujawska
Sound:
Dariusz Wancerz
Sound Editor:
Dariusz Wancerz
Still Photographer:
Marcin Sauter
Kweku Isaac Kumi
Dariusz Wancerz
Krzysztof Lewandowski
Supervising Producer:
Szymon Kudła
Katarzyna Kostecka
Translator:
Igor Kudła
Paul Szostek
Wiktor Garliński
Magdalena Cedro
Felicia Baah Arthur
Paweł Włochacz
VFX Artist:
Ziemowit Jaworski
Marta Zdanowicz
Writer:
Edyta Wróblewska
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.