A work in constant progress (and occasional regress).
Alias:
Felizol
Birthplace:
Atene, Grecia
Born:
January 1, 1979
Art Direction:
2014 Norway
Co-Producer:
2014 Norway
Director:
2009 Osiki
2014 Norway
2018 The Field Guide to Evil
2024 She Loved Blossoms More
Music:
2009 Osiki
2010 13½
2013 The Eternal Return of Antonis Paraskevas
2014 Norway
2014 Proavlio
2015 Wednesday 04:45
2017 Thread
2018 The Field Guide to Evil
2018 Third Kind
2019 Electric Swan
2020 Cosmic Candy
2020 Melatonin
2022 Iota Period Omega
2024 She Loved Blossoms More
Original Music Composer:
2009 Osiki
2010 13½
2013 The Eternal Return of Antonis Paraskevas
2014 Norway
2014 Proavlio
2015 Wednesday 04:45
2016 Suntan
2017 Thread
2018 The Field Guide to Evil
2018 Third Kind
2019 Electric Swan
2020 Cosmic Candy
2020 Melatonin
2022 Iota Period Omega
2024 She Loved Blossoms More
Production Design:
2009 Osiki
2010 13½
2013 The Eternal Return of Antonis Paraskevas
2014 Norway
2014 Proavlio
2015 Wednesday 04:45
2016 Suntan
2017 Thread
2018 The Field Guide to Evil
2018 Third Kind
2019 Electric Swan
2020 Cosmic Candy
2020 Melatonin
2022 Iota Period Omega
2024 She Loved Blossoms More
Sound Designer:
2009 Osiki
2010 13½
2013 The Eternal Return of Antonis Paraskevas
2014 Norway
2014 Proavlio
2015 Wednesday 04:45
2016 Suntan
2017 Thread
2018 The Field Guide to Evil
2018 Third Kind
2019 Electric Swan
2020 Cosmic Candy
2020 Melatonin
2022 Iota Period Omega
2024 She Loved Blossoms More
Writer:
2009 Osiki
2010 13½
2013 The Eternal Return of Antonis Paraskevas
2014 Norway
2014 Proavlio
2015 Wednesday 04:45
2016 Suntan
2017 Thread
2018 The Field Guide to Evil
2018 Third Kind
2019 Electric Swan
2020 Cosmic Candy
2020 Melatonin
2022 Iota Period Omega
2024 She Loved Blossoms More
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.