A work in constant progress (and occasional regress).
Release Date:
August 29, 2019
Original Title:
Electric Swan
Alternate Titles:
Ηλεκτρικός κύκνος
Genres:
Drama
Production Companies:
Ecce Films
Homemade Films
Un Puma
Production Countries:
Argentina | France | Greece
Ratings / Certifications:
N/A
Runtime: 40
Buildings are not supposed to move. But on Avenida Libertador 2050, a building moves and the ceiling shivers, causing a strange nausea that devours its residents. Those who live on the top are afraid they’ll fall, the ones who live beneath are afraid they’ll drown.
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Art Direction:
Lucía Carnicero
Director:
Konstantina Kotzamani
Director of Photography:
Roman Kasseroller
Editor:
Smaro Papaevangelou
Executive Producer:
Victoria Marotta
Music:
Yannis Veslemes
Producer:
Caroline Demopoulos
Emmanuel Chaumet
Production Assistant:
Maria Drandaki
Screenplay:
Konstantina Kotzamani
Sound:
Virginia Scaro
Sound Editor:
Persefoni Miliou
Sound Mixer:
Simon Apostolou
Visual Effects:
Yannig Willmann
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.