A work in constant progress (and occasional regress).
Alias:
Alfredo J. Anzola
Birthplace:
Caracas, Venezuela
Born:
June 17, 1946
Alfredo Anzola was born on 17 June 1946 in Caracas, Venezuela. He is a director and writer, known for Wanted: Good Looking Receptionist and Messenger with His Own Motorcycle (1977), or Manuel (1979).
Cinematography:
1986 Pequeña revancha
Director:
1974 Santana
1976 Fiebre
1977 Wanted: Good Looking Receptionist and Messenger with His Own Motorcycle
1979 Manuel
1982 Menudo: La Película
1984 Cóctel de Camarones. En el Día de la Secretaria
1986 De cómo Anita Camacho quiso levantarse a Marino Méndez
1986 Pequeña revancha
1992 The Mystery of the Scarlet Eyes
2002 El mundo de los Onqui Tonqui
2005 1888: The Extraordinary Voyage of the Santa Isabel
2011 Érase una vez un barco
2012 Cecilia Bergman Chaves: Una Buena Vida
2017 Más vivos que nunca
Editor:
1974 Santana
1976 Fiebre
1977 Wanted: Good Looking Receptionist and Messenger with His Own Motorcycle
1979 Manuel
1982 Menudo: La Película
1984 Cóctel de Camarones. En el Día de la Secretaria
1986 De cómo Anita Camacho quiso levantarse a Marino Méndez
1986 Pequeña revancha
1992 The Mystery of the Scarlet Eyes
2002 El mundo de los Onqui Tonqui
2005 1888: The Extraordinary Voyage of the Santa Isabel
2011 Érase una vez un barco
2012 Cecilia Bergman Chaves: Una Buena Vida
2017 Más vivos que nunca
Producer:
1974 Santana
1976 Fiebre
1977 Wanted: Good Looking Receptionist and Messenger with His Own Motorcycle
1979 Manuel
1982 Menudo: La Película
1984 Cóctel de Camarones. En el Día de la Secretaria
1986 De cómo Anita Camacho quiso levantarse a Marino Méndez
1986 Pequeña revancha
1992 The Mystery of the Scarlet Eyes
2002 El mundo de los Onqui Tonqui
2005 1888: The Extraordinary Voyage of the Santa Isabel
2011 Érase una vez un barco
2012 Cecilia Bergman Chaves: Una Buena Vida
2017 Más vivos que nunca
Screenplay:
1974 Santana
1976 Fiebre
1977 Wanted: Good Looking Receptionist and Messenger with His Own Motorcycle
1979 Manuel
1982 Menudo: La Película
1984 Cóctel de Camarones. En el Día de la Secretaria
1986 De cómo Anita Camacho quiso levantarse a Marino Méndez
1986 Pequeña revancha
1992 The Mystery of the Scarlet Eyes
2002 El mundo de los Onqui Tonqui
2005 1888: The Extraordinary Voyage of the Santa Isabel
2011 Érase una vez un barco
2012 Cecilia Bergman Chaves: Una Buena Vida
2017 Más vivos que nunca
Writer:
1974 Santana
1976 Fiebre
1977 Wanted: Good Looking Receptionist and Messenger with His Own Motorcycle
1979 Manuel
1982 Menudo: La Película
1984 Cóctel de Camarones. En el Día de la Secretaria
1986 De cómo Anita Camacho quiso levantarse a Marino Méndez
1986 Pequeña revancha
1992 The Mystery of the Scarlet Eyes
2002 El mundo de los Onqui Tonqui
2005 1888: The Extraordinary Voyage of the Santa Isabel
2011 Érase una vez un barco
2012 Cecilia Bergman Chaves: Una Buena Vida
2017 Más vivos que nunca
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.