A work in constant progress (and occasional regress).
Birthplace:
Zagreb, Croatia
Born:
January 1, 1973
Nebojša Slijepčević (born 1973 in Zagreb, Croatia) is a Croatian film director. In 2005 he graduated in Film Directing from the Academy of Drama and Art in Zagreb. He directed numerous documentaries and series for which he received awards from various festivals. In 2013 he finished his first feature documentary, an international co-production Gangster of Love. The film premiered as the opening film of Zagreb Dox 2013 where it won the audience award for best film. Gangster of Love was one of the biggest box office successes in Croatia. Nebojša is also an educator, mentoring and lecturing at the School of Documentary Film in Zagreb. He lives and works in Zagreb, Croatia. His short film The Man Who Could Not Remain Silent won the Palme d'Or at the 77th Cannes Film Festival in the Best Short Film category. This marked the first time since independence that a film by a Croatian author had won the Palme d'Or.
Director:
2000 On Cows and Men
2009 Zagreb Stories
2012 Real Man's Film
2013 Gangster of Love
2018 Srbenka
2024 The Man Who Could Not Remain Silent
???? Dark Mother Earth
???? Šamar
Editor:
2000 On Cows and Men
2009 Zagreb Stories
2012 Real Man's Film
2013 Gangster of Love
2018 Srbenka
2024 The Man Who Could Not Remain Silent
???? Dark Mother Earth
???? Šamar
Screenplay:
2000 On Cows and Men
2009 Zagreb Stories
2012 Real Man's Film
2013 Gangster of Love
2018 Srbenka
2024 The Man Who Could Not Remain Silent
???? Dark Mother Earth
???? Šamar
Writer:
2000 On Cows and Men
2009 Zagreb Stories
2012 Real Man's Film
2013 Gangster of Love
2018 Srbenka
2024 The Man Who Could Not Remain Silent
???? Dark Mother Earth
???? Šamar
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.