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The Man Who Could Not Remain Silent (2024) [N/A]

Release Date:
May 24, 2024

Original Title:
Čovjek koji nije mogao šutjeti

Alternate Titles:
L’homme qui ne se taisait pas

Genres:
Drama | History

Production Companies:
Antitalent
Contrast Films
Les Films Norfolk
Studio Virc

Production Countries:
Bulgaria | Croatia | France | Slovenia

Ratings / Certifications:
 N/A

Runtime: 14

Overview from TheMovieDB

The film follows a passenger train traveling from Belgrade in Serbia to Bar in Montenegro. The train is stopped by armed Serbian paramilitary forces at a small station in Štrpci in Bosnia and Herzegovina. Having received a tip off that there are Muslim passengers on the train, they found 19 of them, took them off the train, and executed them shortly after the train departed. About 500 passengers witnessed the event, but no one dared to stand up to them, except for one man, a retired military officer Tomo Buzov, on his way to visit his son.

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Production

Casting Director:
Hana Hribar

Co-Producer:
Noëlle Lévénez
Katya Trichkova
Boštjan Virc

Costume Designer:
Geo Pavlov

Director:
Nebojša Slijepčević

Director of Photography:
Gregor Božič

Editor:
Tomislav Stojanović

Makeup Artist:
Magdalena Boyadzhieva

Producer:
Danijel Pek
Katarina Prpić

Production Designer:
Ivan Veljača

Sound Designer:
Ivan Andreev

Writer:
Nebojša Slijepčević

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.