A work in constant progress (and occasional regress).
Alias:
Chucho Quintero
Birthplace:
Río Blanco, Veracruz, Mexico
Born:
April 26, 1989
Born in Río Blanco, Veracruz in Mexico in 1989, Chucho E. Quintero has studied with professors such as Paula Markovitch and Jorge Ayala Blanco. In 2011, he won the IMJUVE Award for Best Young Director at the 15th Mix México Film Festival for his short film, “Félix y el pez” (“Félix and the Fish”). His film “Velociraptor” won the Jury Prize for Best Feature at the 17th Miami Gay & Lesbian Film Festival (now OUTshine LGBTQ+ Film Festival) in 2015, and later participated in more than fifteen international festivals. His latest narrative feature, “Los días particulares” (“These Peculiar Days”) was selected as the opening night film for the 21st Thessaloniki International LBGTIQ Film Festival in Greece, and went on to be screened at more than a dozen film festivals around the world. [Updated: January 2025]
Art Direction:
2010 Serial Comic No.1: Obsession
Director:
2010 Serial Comic No.1: Obsession
2010 Simple
2011 Félix and the Fish
2011 Six Pack
2013 100m Freestyle
2014 Velociraptor
2017 Muffin
2019 These Peculiar Days
???? Kitty
???? Latter-Day Glory: The Aftermath of Growing Up Queer in the LDS Church
Editor:
2010 Serial Comic No.1: Obsession
2010 Simple
2011 Félix and the Fish
2011 Six Pack
2013 100m Freestyle
2014 Velociraptor
2017 Muffin
2019 These Peculiar Days
???? Kitty
???? Latter-Day Glory: The Aftermath of Growing Up Queer in the LDS Church
Producer:
2010 Serial Comic No.1: Obsession
2010 Simple
2011 Félix and the Fish
2011 Six Pack
2013 100m Freestyle
2014 Velociraptor
2017 Muffin
2019 These Peculiar Days
???? Kitty
???? Latter-Day Glory: The Aftermath of Growing Up Queer in the LDS Church
Production Design:
2010 Serial Comic No.1: Obsession
2010 Simple
2011 Félix and the Fish
2011 Six Pack
2013 100m Freestyle
2014 Velociraptor
2017 Muffin
2019 These Peculiar Days
???? Kitty
???? Latter-Day Glory: The Aftermath of Growing Up Queer in the LDS Church
Screenplay:
2010 Serial Comic No.1: Obsession
2010 Simple
2011 Félix and the Fish
2011 Six Pack
2013 100m Freestyle
2014 Velociraptor
2017 Muffin
2019 These Peculiar Days
???? Kitty
???? Latter-Day Glory: The Aftermath of Growing Up Queer in the LDS Church
Translator:
2010 Serial Comic No.1: Obsession
2010 Simple
2011 Félix and the Fish
2011 Six Pack
2013 100m Freestyle
2014 Velociraptor
2015 Young Man on the Bar Masturbating with Rage and Nerve
2017 Muffin
2019 Lazaretto
2019 These Peculiar Days
???? Kitty
???? Latter-Day Glory: The Aftermath of Growing Up Queer in the LDS Church
Writer:
2010 Serial Comic No.1: Obsession
2010 Simple
2011 Félix and the Fish
2011 Six Pack
2013 100m Freestyle
2014 Velociraptor
2015 Young Man on the Bar Masturbating with Rage and Nerve
2017 Muffin
2019 Lazaretto
2019 These Peculiar Days
???? Kitty
???? Latter-Day Glory: The Aftermath of Growing Up Queer in the LDS Church
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.