A work in constant progress (and occasional regress).
Original Title:
Latter-Day Glory: The Aftermath of Growing Up Queer in the LDS Church
Alternate Titles:
La gloria de los últimos días: La experiencia queer dentro de la iglesia mormona
Genres:
Documentary
Production Companies:
Cacomixtle Cine
Cine Clemente
Social Evolution Films
Production Countries:
Mexico | United States of America
Ratings / Certifications:
N/A
Runtime: 110
In this re-worked and expanded version of the original 2018 film, two queer ex-Mormon missionaries embark on a transformative journey across America, uncovering the devastating effects of religious dogma on LGBTQ+ members and former members of the LDS Church, as a single, intimate conversation –spanning from childhood to adulthood– unfolds over the course of seven chapters.
Colorist:
Arturo Campos Nieto
Director:
Brandon Deyette
Chucho E. Quintero
Editor:
Hugo Hahn
Music:
Fores Basura
Sound Designer:
Alejandro Camarena
Sound Mixer:
Alejandro Camarena
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.