Viktor Fančovič

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Assistant Camera:
1975  Sebechlebskí hudci
1976  10 % nádeje
1977  Pozor, ide Jozefína...
1979  Great Times
1981  Vták nociar
1982  Kosenie Jastrabej lúky
1982  Tušenie
1984  King Thrushbeard
1984  Mŕtvi učia živých
1985  O sláve a tráve
1985  The False Prince
1986  Another Love
1989  Sitting on a Branch, Enjoying Myself
1996  ...ani smrt nebere!
1997  An Ambiguous Report About the End of the World
2000  Rojkovia

Camera Operator:
1975  Sebechlebskí hudci
1976  10 % nádeje
1977  Pozor, ide Jozefína...
1979  Great Times
1981  Vták nociar
1982  Kosenie Jastrabej lúky
1982  Tušenie
1984  King Thrushbeard
1984  Mŕtvi učia živých
1985  O sláve a tráve
1985  The False Prince
1986  Another Love
1989  Sitting on a Branch, Enjoying Myself
1992  It's Better to Be Healthy and Wealthy than Poor and Sick
1996  ...ani smrt nebere!
1997  An Ambiguous Report About the End of the World
2000  Rojkovia

First Assistant Camera:
1975  Sebechlebskí hudci
1976  10 % nádeje
1977  Pozor, ide Jozefína...
1979  Great Times
1981  Vták nociar
1982  Kosenie Jastrabej lúky
1982  Tušenie
1984  King Thrushbeard
1984  Mŕtvi učia živých
1985  O sláve a tráve
1985  The False Prince
1986  Another Love
1989  Sitting on a Branch, Enjoying Myself
1992  It's Better to Be Healthy and Wealthy than Poor and Sick
1996  ...ani smrt nebere!
1997  An Ambiguous Report About the End of the World
2000  Rojkovia
2000  Zlodeji

Focus Puller:
1975  Sebechlebskí hudci
1976  10 % nádeje
1977  Pozor, ide Jozefína...
1979  Great Times
1981  Vták nociar
1982  Kosenie Jastrabej lúky
1982  Tušenie
1984  King Thrushbeard
1984  Mŕtvi učia živých
1985  O sláve a tráve
1985  The False Prince
1986  Another Love
1989  Sitting on a Branch, Enjoying Myself
1992  It's Better to Be Healthy and Wealthy than Poor and Sick
1996  ...ani smrt nebere!
1997  An Ambiguous Report About the End of the World
1998  Halt, Or I'll Miss!
2000  Rojkovia
2000  Zlodeji

Assistant Camera:
1975  Nepokojná láska

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.