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It's Better to Be Healthy and Wealthy than Poor and Sick (1992) [N/A]

Release Date:
September 11, 1992

Original Title:
Lepšie byť bohatý a zdravý ako chudobný a chorý

Alternate Titles:
Lepšie byť bohatý a zdravý ako chudobný a chorý
Lepší je být bohatý a zdravý než chudý a nemocný

Genres:
Comedy | Drama

Production Companies:
Mirofilm

Production Countries:
Czechoslovakia

Ratings / Certifications:
CZ: 12+ 

Runtime: 108

Overview from TheMovieDB

A satiric tragi-comedy about two women and their lover Robert who is an emigrant that keeps coming back. This film shows chaotic post-communist Europe after the fall of totalitarianism. Two opposite characters, women, meet during the Velvet Revolution in November 1989. Intellectual dissident Nona and a Communist secret police boss’ mistress Ester. They meet at an anti-regime demonstration and become friends. They don’t want anything to do with politics, both want to get married and have kids, but also get rich. Crazy plans and risky attempts to realize their shared dreams land them in many sticky situations in the post-revolution chaos. Too much money gets in the way of the power of friendship.

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Production

Assistant Director:
Andrej Ludwig
Ivo Tomeček

Camera Operator:
Stanislav Doršic
Viktor Fančovič
Ivan Šimůnek

Costume Design:
Peter Čanecký

Director:
Juraj Jakubisko

Editor:
Jiří Brožek

Music:
Jiří Bulis

Production Manager:
Ivan Filus

Set Decoration:
Slavomír Procházka
Tomáš Berka

Sound Recordist:
Csaba Török

Writer:
Juraj Jakubisko

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.