A work in constant progress (and occasional regress).
Alias:
Lucas Dolabela
Lucas Dolabella Barbi
Lucas Barbi graduated in Cinema Studies by Universidade Federal Fluminense, Brazil, and in Cinematography at École Nationale Superieur Louis Lumière, France. He also attended Berlinale Talent Campus 2016, at the Berlin Film Festival, and also Roger Deakins', Vilmos Zsigmond's and Dante Spinotti's masterclasses at Camerimage Festival, Poland. He was the Director of Photography of over twenty short films, screened and prized on national and international film festivals, as "O Inverno de Zeljka", by Gustavo Beck (Best Image, Semana dos Realizadores, 2012); "Frinéia", by Aline Portugal (Critics Award, Santa Maria da Feira, Portugal, 2012); and "O Clube", by Allan Ribeiro (Best Film & Popular Juri, Paulínia Film Festival, 2014). And also of a dozen feature films, from fiction to creative documentaries, including "Seca" (Vision du Réel 2015) and "Futuro Junho" (Yamagata IDFF 2015) both by Maria Augusta Ramos; "O Fim de uma Era" (Rotterdam IFF 2015) by Bruno Safadi & Ricardo Pretti; "O Prefeito" (Locarno IFF 2015) by Bruno Safadi; "O Sol nos meus Olhos" (Colombo IFF 2014) by Flora Dias & Juruna Mallon; "Yorimatã" (Havana IFF 2014) by Rafael Saar; "Winter / Miracle" (Best Central and Eastern European Documentary, Jihlava IFF 2013) by Gustavo Beck & Zeljka Suková. He also shot video-art installations by the artists Eder Santos, Veronika Spierenburg, Tiago Mata Machado, Cinthia Marcelle and Aline X. He has recently shot "O Clube dos Canibais", by Guto Parente.
Assistant Camera:
2015 Backyard
Associate Producer:
2015 Backyard
2015 The Mayor
Camera Operator:
2015 Backyard
2015 The Mayor
2022 Eu Não Me Calo
Cinematography:
2012 Phryne
2012 Winter Miracle
2013 As Horas Vulgares
2014 O Bagre Africano de Ataléia
2014 O Clube
2014 The Archipelago
2014 The End of an Age
2014 The Sun Against My Eyes
2015 Backyard
2015 Drought
2015 Future June
2015 O Tempo Não Existe no Lugar em que Estamos
2015 The Mayor
2015 Tybalt Dead, Romeo Exiled
2016 Eclipse Solar
2016 Kappa Crucis
2016 The Third Shore
2016 Yorimatã
2017 All Paulos in the World - Paulo José
2017 Subybaya
2022 Eu Não Me Calo
2022 Guaicurus Street
Colorist:
2012 Phryne
2012 Winter Miracle
2013 As Horas Vulgares
2014 O Bagre Africano de Ataléia
2014 O Clube
2014 The Archipelago
2014 The End of an Age
2014 The Sun Against My Eyes
2015 Backyard
2015 Drought
2015 Future June
2015 O Tempo Não Existe no Lugar em que Estamos
2015 The Mayor
2015 Tybalt Dead, Romeo Exiled
2016 Eclipse Solar
2016 Kappa Crucis
2016 The Third Shore
2016 Yorimatã
2017 All Paulos in the World - Paulo José
2017 Subybaya
2022 Eu Não Me Calo
2022 Guaicurus Street
2022 Who Is Afraid?
Director:
2012 Phryne
2012 Winter Miracle
2013 As Horas Vulgares
2014 O Bagre Africano de Ataléia
2014 O Clube
2014 The Archipelago
2014 The End of an Age
2014 The Sun Against My Eyes
2015 Backyard
2015 Drought
2015 Future June
2015 O Tempo Não Existe no Lugar em que Estamos
2015 The Mayor
2015 Tybalt Dead, Romeo Exiled
2016 Eclipse Solar
2016 Kappa Crucis
2016 The Third Shore
2016 Yorimatã
2017 All Paulos in the World - Paulo José
2017 Subybaya
2021 Rotten Boy
2022 Eu Não Me Calo
2022 Guaicurus Street
2022 Who Is Afraid?
???? C'est Beau un Elephant
???? The Quiet and Subtle Hurricane
Director of Photography:
2008 Praia de Botafogo
2012 Phryne
2012 Winter Miracle
2013 As Horas Vulgares
2013 The Winter of Zeljka
2014 Night
2014 O Bagre Africano de Ataléia
2014 O Clube
2014 The Archipelago
2014 The End of an Age
2014 The Sun Against My Eyes
2015 Backyard
2015 Drought
2015 Future June
2015 O Tempo Não Existe no Lugar em que Estamos
2015 The Mayor
2015 Tybalt Dead, Romeo Exiled
2016 Eclipse Solar
2016 Kappa Crucis
2016 The Third Shore
2016 Yorimatã
2017 All Paulos in the World - Paulo José
2017 Elza Soares: A Mulher do Fim do Mundo
2017 Subybaya
2018 Os Que se Vão
2019 Angela
2019 Desvio
2019 Seven Years in May
2019 The Cannibal Club
2019 The Most Beloved
2020 Beautiful Carnivals
2020 Riverock
2021 Manguebit
2021 Ostinato
2021 Rotten Boy
2021 The First Fallen
2022 Coup de Grâce
2022 Eu Não Me Calo
2022 Guaicurus Street
2022 Lilith
2022 Who Is Afraid?
2023 Capitu and the Chapter
2024 Menos do que a gente quer levar
2024 Quebrante
???? C'est Beau un Elephant
???? The Quiet and Subtle Hurricane
Producer:
2008 Praia de Botafogo
2012 Phryne
2012 Winter Miracle
2013 As Horas Vulgares
2013 The Winter of Zeljka
2014 Night
2014 O Bagre Africano de Ataléia
2014 O Clube
2014 The Archipelago
2014 The End of an Age
2014 The Sun Against My Eyes
2015 Backyard
2015 Drought
2015 Future June
2015 O Tempo Não Existe no Lugar em que Estamos
2015 The Mayor
2015 Tybalt Dead, Romeo Exiled
2016 Eclipse Solar
2016 Kappa Crucis
2016 The Third Shore
2016 Yorimatã
2017 All Paulos in the World - Paulo José
2017 Elza Soares: A Mulher do Fim do Mundo
2017 Subybaya
2018 Os Que se Vão
2019 Angela
2019 Desvio
2019 Seven Years in May
2019 The Cannibal Club
2019 The Most Beloved
2020 Beautiful Carnivals
2020 Riverock
2021 Manguebit
2021 Ostinato
2021 Rotten Boy
2021 The First Fallen
2022 Coup de Grâce
2022 Eu Não Me Calo
2022 Guaicurus Street
2022 Lilith
2022 Who Is Afraid?
2023 Capitu and the Chapter
2024 Menos do que a gente quer levar
2024 Quebrante
???? C'est Beau un Elephant
???? The Quiet and Subtle Hurricane
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.