A work in constant progress (and occasional regress).
Release Date:
October 3, 2019
Original Title:
O Clube dos Canibais
Alternate Titles:
O Clube dos Canibais
The Cannibal Club
Genres:
Comedy | Horror
Production Companies:
Tardo Filmes
Production Countries:
Brazil
Ratings / Certifications:
BR: 18 JP: R15+
Runtime: 80
Otavio and Gilda are a very wealthy couple of the Brazilian elite who have the habit of eating their employees. Otavio owns a private security company and is a notable member of The Cannibal Club. When Gilda accidentally discovers a secret from Borges, a powerful congressman and the Club’s leader, her and her husband’s lives are in grave danger.
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Assistant Production Design:
Ana Margaretha
Taís Augusto
Casting:
Breno Baptista
Costume Design:
Lia Damasceno
Director:
Guto Parente
Director of Photography:
Lucas Barbi
Editor:
Ricardo Pretti
Luiz Pretti
Executive Producer's Assistant:
Luciana Vieira
First Assistant Camera:
Lisa Persson
First Assistant Director:
Milena Times
Foley Artist:
Sebastián Sonzogni
José E. Caldararo
Foley Recordist:
Rafael Millán
Gaffer:
Luiz Paulo Xein
Makeup Artist:
Guilherme Funari
Original Music Composer:
Fernando Catatau
Producer:
Ticiana Augusto Lima
Production Design:
Lia Damasceno
Production Manager:
Marcella Jacques
Script Supervisor:
Samuel Brasileiro
Second Assistant Camera:
Daniel Correia
Second Assistant Director:
Victor Furtado
Sound Editor:
Lucas Coelho de Carvalho
Sound Mixer:
Danilo Carvalho
Sound Re-Recording Mixer:
Paulo Gama
Special Effects:
Rodrigo Aragão
Third Assistant Director:
Breno Baptista
Writer:
Guto Parente
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.