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Nic Pizzolatto (b. 1975)

Alias:
Jim Hammett
닉 피졸라토
닉 피촐라토

Birthplace:
New Orleans, Louisiana, USA

Born:
October 18, 1975

Biography from TheMovieDB

Nic Pizzolatto was born in New Orleans and raised in Lake Charles, Louisiana. He was educated at Louisiana State University and the University of Arkansas, where he received several awards for his writing.   His work has been published in the Atlantic, Oxford American, Iowa Review, Missouri Review, and other magazines. He has been a finalist for the National Magazine Award, and his collection of stories Between Here and the Yellow Sea was named by Poets & Writers magazine as a top five fiction debut of 2006.   Pizzolatto is primarily known for having created and written the first three seasons of True Detective. His first novel, Galveston, was published in 2010 and later adapted into a film directed by Mélanie Laurent in 2018. He also served as a screenwriter for Antoine Fuqua's 2016 remake of The Magnificent Seven. 2021 saw the release of his second collaboration with Fuqua, The Guilty, starring Jake Gyllenhaal and distributed by Netflix.

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Additional information:

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Film Performances

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Film Production

Director:
????  Easy's Waltz
????  Untitled Nic Pizzolatto / Blumhouse Film

Executive Producer:
2021  The Guilty
????  Easy's Waltz
????  Untitled Nic Pizzolatto / Blumhouse Film

Novel:
2018  Galveston
2021  The Guilty
????  Easy's Waltz
????  Untitled Nic Pizzolatto / Blumhouse Film

Screenplay:
2016  The Magnificent Seven
2018  Galveston
2021  The Guilty
????  Easy's Waltz
????  Ghost Army
????  Untitled Nic Pizzolatto / Blumhouse Film

Writer:
2016  The Magnificent Seven
2018  Galveston
2021  The Guilty
????  Blade
????  Easy's Waltz
????  Ghost Army
????  Untitled Nic Pizzolatto / Blumhouse Film

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TV Performances

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TV Production

Creator:
2014  True Detective

Director:
2014  True Detective

Executive Producer:
2014  True Detective

Original Series Creator:
2014  True Detective

Writer:
2011  The Killing
2014  True Detective

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.