A work in constant progress (and occasional regress).
Camera Operator:
2010 Eichmanns Ende
2015 Uli Hoeneß - Der Patriarch
2018 The Proteom Code
2018 We Are Half The World
2020 Hannelore Kohl - Die erste Frau
2021 Billigfleisch um jeden Preis
Cinematography:
2010 Eichmanns Ende
2015 Uli Hoeneß - Der Patriarch
2018 The Proteom Code
2018 We Are Half The World
2020 Hannelore Kohl - Die erste Frau
2021 Billigfleisch um jeden Preis
2021 Two Is a Magic Number
Director of Photography:
2010 Eichmanns Ende
2015 Uli Hoeneß - Der Patriarch
2018 The Proteom Code
2018 We Are Half The World
2020 Hannelore Kohl - Die erste Frau
2020 Schuss in der Nacht - Die Ermordung Walter Lübckes
2021 Billigfleisch um jeden Preis
2021 Der große Fake - Die Wirecard-Story
2021 Two Is a Magic Number
2023 Ich bin! Margot Friedländer
Director of Photography:
1970 Scene of the Crime
2022 Nazi Hunters
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.