A work in constant progress (and occasional regress).
Release Date:
March 31, 2021
Original Title:
Der große Fake - Die Wirecard-Story
Genres:
Documentary | Drama
Production Companies:
UFA Fiction
Production Countries:
Germany
Ratings / Certifications:
DE: 12
Assistant Camera:
Julian Taro Hitomi
Oliver Moron
Roman Müllers
Assistant Costume Designer:
Alina Berger
Best Boy Electric:
Thorben Olbertz
Boom Operator:
Rael Anderson
Camera Operator:
Niv Abootalebi
Costume Designer:
Markus Ernst
Dialogue Editor:
Sascha Fernsel
Director:
Raymond Ley
Director of Photography:
Dirk Heuer
Philipp Kirsamer
Editor:
David Kuruc
Gaffer:
Matthias Bäumer
Idea:
Bettina Weiguny
Georg Meck
Producer:
Sebastian Werninger
Nico Hofmann
Marc Lepetit
Production Accountant:
Michael Vogt
Production Designer:
Axel Nocker
Marie-Luise Best
Production Manager:
Jörg Kuhlmann
Researcher:
Sandra Löhr
Sabine Greul
Bettina Weiguny
Script Consultant:
Thomas Laue
Script Supervisor:
Candy Maldonado Agustin
Set Dresser:
Moritz Kosanke
Ludwig Schult
Nuria Manzaneda
Sound Designer:
Paul Wilke
Steadicam Operator:
Niv Abootalebi
Unit Manager:
Heiko Becker
Wardrobe Supervisor:
Franka Eisenhardt
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.