A work in constant progress (and occasional regress).
Alias:
Brandon T. Connelly
Brandon T. Connolly
Brandon Tonner-Connolly works as a production designer for film and television projects. He holds a BFA in Cinema Studies from New York University, USA.
Production Design:
2013 Drinking Buddies
2015 I Smile Back
2015 Unexpected
2016 Baked in Brooklyn
2017 Brigsby Bear
2017 The Bad Batch
2017 The Big Sick
2018 Blockers
2018 Cruise
2019 Extremely Wicked, Shockingly Evil and Vile
2021 Intrusion
2022 Mona Lisa and the Blood Moon
2023 Somebody I Used to Know
2023 The Exorcist: Believer
2024 I Saw the TV Glow
Property Master:
2013 A.C.O.D.
2013 Dark Skies
2013 Drinking Buddies
2015 I Smile Back
2015 Unexpected
2015 While We're Young
2016 Baked in Brooklyn
2017 Brigsby Bear
2017 The Bad Batch
2017 The Big Sick
2018 Blockers
2018 Cruise
2019 Extremely Wicked, Shockingly Evil and Vile
2021 Intrusion
2022 Mona Lisa and the Blood Moon
2023 Somebody I Used to Know
2023 The Exorcist: Believer
2024 I Saw the TV Glow
Set Decoration:
2013 A.C.O.D.
2013 Dark Skies
2013 Drinking Buddies
2014 Song One
2015 I Smile Back
2015 Unexpected
2015 While We're Young
2016 Baked in Brooklyn
2017 Brigsby Bear
2017 The Bad Batch
2017 The Big Sick
2018 Blockers
2018 Cruise
2019 Extremely Wicked, Shockingly Evil and Vile
2021 Intrusion
2022 Mona Lisa and the Blood Moon
2023 Somebody I Used to Know
2023 The Exorcist: Believer
2024 I Saw the TV Glow
Production Design:
2021 Reservation Dogs
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.