A work in constant progress (and occasional regress).
Release Date:
March 30, 2017
Original Title:
The Big Sick
Alternate Titles:
Il matrimonio si può evitare... l'amore no
La gran enfermedad del amor
The Big Sick - Il matrimonio si può evitare... l'amore no
빅 식
Genres:
Comedy | Drama | Romance
Production Companies:
Apatow Productions
FilmNation Entertainment
Story Ink
Production Countries:
United States of America
Ratings / Certifications:
AT: 6 AU: M BR: 12 CH: 12 DE: 6 DK: 7 ES: 7 GB: 15 HK: IIB IE: 15A IT: T JP: R18+ KR: 15 NL: AL PT: M/12 SK: 12 US: R
Runtime: 120
Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.
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"A" Camera Operator:
Ari Issler
"B" Camera Operator:
Frank Larson
Pierrot Colonna
ADR Editor:
Dan Edelstein
ADR Voice Casting:
Dann Fink
Bruce Winant
Actor's Assistant:
Brad Gage
Additional Hairstylist:
Isabelle Decauwert
Art Department Coordinator:
Shane Aitchison
Art Direction:
Andy Eklund
Assistant Costume Designer:
Maeve Kelly
Assistant Craft Service:
Alcy Sivyer
Assistant Editor:
Luis Cuevas
Leah Tuscano
Zach Wolf
Assistant Location Manager:
Gabriel Gonzalez
Michael L. Mizrahi
Assistant Production Coordinator:
Nicki Slack
Assistant Property Master:
Anthony S. Calypso
Best Boy Electric:
Francesco Pinna
Best Boy Grip:
Keith Gordon
Connor Dwyer
Boom Operator:
Jerry 'Niru' Cox
Casting:
Gayle Keller
Casting Associate:
Allison Kirschner
Nicole P. Hearon
Aaron Schoonover
Catering:
Umberto Ramero
Rich Elmiler
Brian Havens
Alvero Castillo
Rich Alfieri
Jorge Ramirez
Eric Vidomouels
John Lee
Clearances Consultant:
Wendy Cohen
Co-Producer:
Amanda Glaze
Construction Coordinator:
Richard Hebrank
Costume Coordinator:
Lauren Colbert
Costume Designer:
Sarah Mae Burton
Costumer:
Nicole Capogna
Eva Marie Lopez
Ismyrne Geffrard
Ember Roth
Dialogue Editor:
Bill Orrico
Digital Compositors:
Fangge Chen
Constance Conrad
Saffia Rahimtoola
Digital Conform Editor:
Sean R. Smith
Digital Intermediate Colorist:
Alex Bickel
Digital Intermediate Producer:
Andrew McKay
Claudia Guevara
Director:
Michael Showalter
Director of Photography:
Brian Burgoyne
Dolly Grip:
Larhn Laurens Davitt
Driver:
Joe Schultz
Peter Link
Bob Papini Jr.
Damon Tragni
PJ Ford
Ryan Murphy
Ed Elliot
Mike Devereaux
Mike McElroy
Mike Murphy
Editor:
Robert Nassau
Executive Producer:
Jeremy Kipp Walker
Glen Basner
Ben Browning
Kumail Nanjiani
Emily V. Gordon
Executive Producer's Assistant:
Hannah Getts
First Assistant "A" Camera:
Andrew Juhl
First Assistant "B" Camera:
Htat Htut
Fillip Penson
First Assistant Accountant:
Brittany Sugarman
First Assistant Director:
Nicholas Bell
Foley Artist:
Sebastian Henshaw
Foley Editor:
Pam DeMetruis-Thomas
Foley Mixer:
Carl Shillito
Gaffer:
Jason Velez
Grip:
Nuno Oliveira
Cliff Alphonse
Parissh McClean
Anthony F. Gamiello
Sally Foster
Chris Keenan
Hair Department Head:
Tonia Ciccone
Hairstylist:
Josh Gericke
Bert Reo Anderson
Key Grip:
Brent Poleski
Key Hair Stylist:
Toni Roman-Grimm
Key Makeup Artist:
Kirsten Sylvester
Leadman:
Jack Mortellaro Jr.
Bill C. Bishop
Legal Services:
Glenn D. Feig
Noor Ahmed
Joshua Shabani
Brady Smoot
Loader:
Matt Harding
Location Assistant:
Adam Williams
Sharmain Perry
Location Manager:
Jillian Stricker
Makeup Artist:
Raquel Vivve
Makeup Department Head:
Leo Won
Medical Consultant:
Dr. Jonathan Foster
Stanley D. Burns
Liz Burns
France Iann
Susan Millard
Music Editor:
Azniv Korkejian
Music Supervisor:
Joe Rudge
On Set Dresser:
Gregor Telfer
Andrew Schoentube
Original Music Composer:
Michael Andrews
Post Production Accountant:
Rachel Schneider
Post Production Supervisor:
Michael Jackman
Producer:
Judd Apatow
Barry Mendel
Producer's Assistant:
Sam Fishell
Ryan Bernstein
Leigh Pruden
Production Accountant:
Johnny Holland
Production Coordinator:
Cynthia Chou
Production Design:
Brandon Tonner-Connolly
Production Office Assistant:
Jocelyn Magsumbol
Roberto González Arévalo
Production Sound Mixer:
Charles R. Hunt
Production Supervisor:
Annie Tan
Property Master:
Lauren J. Brown
Publicist:
Adam Kersh
Scoring Mixer:
Todd Burke
Screenplay:
Kumail Nanjiani
Emily V. Gordon
Script Researcher:
Carol A. Compton
Script Supervisor:
Mariana Hellmund
Second Assistant "A" Camera:
Blake Johnson
Second Assistant "B" Camera:
Casey David Johnson
Ashton Green
Second Assistant Director:
Adam J. Bernard
Second Second Assistant Director:
Scott Bowers
Set Decoration:
Elizabeth Rodrick
Set Dresser:
William Smith
Anthony Taratunio
Set Dressing Buyer:
Scott Griswold
Set Production Assistant:
Adrienne Enderle
Matthew McCoubry
Matt Merksamer
Anthony Pennachio
Jon Santos
Alex Lilja
Alex Spear
Jasmine Brotzman
Liz Wagner
Robert Maasin
Yadeed Mellman
Set Production Intern:
Ava Myint
Lauren Meckleberg
Isaac Gotterer
Ella Gibney
Sound Editor:
Bobby Mackston
Sound Effects Editor:
Sean Garnhart
Sound Re-Recording Mixer:
Tara A. Paul
Tom Paul
Mark Linden
Special Effects Coordinator:
Jeff Brink
Steadicam Operator:
Yousheng Tang
Alec Jarnagin
Still Photographer:
Nicole Rivelli
Stunt Coordinator:
Jeremy Sample
Supervising Sound Editor:
Tom Paul
Thanks:
Dave Kloc
Dana Gould
Nicole Eckenroad
Moshe Kasher
Alec Berg
Chuck Schumer
Christine Nangle
Lisa Goldberg
Dominic Dierkes
Sean Clements
Casey Shaw
Krister C. Johnson
Jared Logan
Pete Holmes
James Gunn
Emily Heller
Title Designer:
Aaron Becker
Transportation Captain:
George Holtzer
Transportation Co-Captain:
Michael Elliott
Unit Production Manager:
Jeremy Kipp Walker
Utility Sound:
Paul Reed
Junior Cyrus Baron
Paul Reed
VFX Production Coordinator:
Melissa Kivell
VFX Supervisor:
Lucien Harriot
Visual Effects:
Neal Jonas
Wardrobe Supervisor:
Christina Nickas
Megan Sanders
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At least one plug-in comes from IMDb.
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.