Philip Harvey

Philip Harvey started working in the film industry in 2000, when the film production 'Enigma' called for supporting artistes locally in Bedford. The joy and excitement of working on set for those four days led to a catalogue of remarkable and unique experiences over the following years that he never thought possible. His next major role on a then little known film caused him to remark to his wife about how he had been doubling for some character who killed a mother with a wand and then threatened a baby in it's cot; that there was a boy living under the stairs and loads of kids flying broomsticks. This was of course the first Harry Potter film and the character was Voldemort! Many more minor roles were undertaken on the following films, culminating with standing-in for Goyle in the Room of Requirement scenes in the final film. By this time, his own children had also begun working in the film industry and in the final scene of the film.  Other memorable roles were on 'Batman Begins', 'Children of Men', 'Stardust', 'World War Z', 'Edge of Tomorrow', 'The Worlds End', 'Assassins Creed', 'Wonder Woman', 'Justice League' and, more recently, Ted Levine's photo double in 'Jurassic World: Fallen Kingdom'.  A pleading email from his children to his agent, accompanied by a cute photograph of them in their Star Wars costumes, surrounded by their toys, led to a role as a Female Nikto in the UK reshoots for 'Revenge of the Sith' and a chance to work directly with George Lucas. Philip could not have guessed that many years later, acting as Picture Double for Lor San Tekka in 'The Force Awakens' he would have the opportunity to work with and meet all the original characters from the 1970's Star Wars trilogy. Being directed by JJ Abrams was an exceptional experience and will be forever remembered by his praise of "Hey Phil! You're killing it!". Following this production, a role also became available as an Imperial Fleet Officer on 'Rogue One' and also on the awaited 'Solo' production.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.