A work in constant progress (and occasional regress).
Release Date:
June 10, 2005
Original Title:
Batman Begins
Alternate Titles:
Batman (El caballero oscuro) - 1. Batman Begins
Batman 5 - Batman Begins
Batman 5 Początek
Batman Begins
Batman I: Batman Begins
Betmen počinje
Kara Şövalye: Batman Başlıyor
Người Dơi Xuất Hiện
The Dark Knight 1: Batman Begins
The Dark Knight: Batman Begins
האביר האפל: באטמן מתחיל
バットマン ビギンズ:2005
蝙蝠侠前传:侠影之谜
蝙蝠侠:侠影之谜
蝙蝠俠—俠影之謎
Genres:
Action | Crime | Drama
Production Companies:
DC
Legendary Pictures
Patalex III Productions Limited
Syncopy
Warner Bros. Pictures
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AR: 13 AT: 12 AU: M BE: 14 BG: C BR: 10 CA: PG CH: 12 CL: TE+7 CZ: 12 DE: 12 DK: 11 ES: 12 FI: K-16|K-11 FR: 12 GB: 12 GR: K-13 HK: IIA HU: 12 ID: D IE: 12A IN: UA IS: 12 IT: T JP: G KR: 12 MX: B NL: 12 NO: 15 NZ: M PE: Apt PH: G PL: 12 PT: M/12 RO: 15 RU: 12+ SE: 11 SG: PG TH: 13 TR: 13+ TW: 保護級 US: PG-13 ZA: 13
Runtime: 140
Driven by tragedy, billionaire Bruce Wayne dedicates his life to uncovering and defeating the corruption that plagues his home, Gotham City. Unable to work within the system, he instead creates a new identity, a symbol of fear for the criminal underworld - The Batman.
2D Supervisor:
Charlie Noble
3D Supervisor:
Dayne Cowan
ADR & Dubbing:
Michael Miller
ADR Editor:
Howard Halsall
ADR Mixer:
Sandy Buchanan
ADR Recordist:
Alexander Beddow
ADR Voice Casting:
Abigail Barbier
Additional Production Assistant:
Siobhan Barnett
Additional Second Assistant Director:
Eric Richard Lasko
Additional Third Assistant Director:
Chris Burgess
Aerial Coordinator:
Craig Hosking
Aerial Director of Photography:
Hans Bjerno
Animal Coordinator:
Daniel Naprous
Animatronics Designer:
Tim Jordan
Armorer:
Greg Corke
Art Department Assistant:
Amanda Dazely
Art Department Coordinator:
Sarah Robinson
Art Direction:
Paul Kirby
Peter Francis
Dominic Masters
Assistant Accountant:
Becky Maxwell
Assistant Art Director:
Alastair Bullock
Assistant Camera:
Elli Cassata
Assistant Costume Designer:
Gabriella Loria
Assistant Director:
Matthew Sharp
Assistant Editor:
Gemma Nicholson
Assistant Location Manager:
Tom Crooke
Assistant Production Coordinator:
Victoria Cadiou
Assistant Property Master:
Martin Kingsley
Assistant Sound Editor:
Gemma Nicholson
Niv Adiri
Associate Producer:
Cheryl A. Tkach
Best Boy Grip:
Gary Smith
Boom Operator:
Kate Morath
CG Animator:
Nicolas Seck
CG Artist:
Emily Cobb
CG Supervisor:
Nicolas Chevallier
Camera Loader:
Zachary Gannaway
Camera Operator:
Steven A. Adelson
Camera Trainee:
Therese Hvattum
Carpenter:
Martin Duffy
Casting:
John Papsidera
Lucinda Syson
Casting Assistant:
Julie Harkin
Casting Associate:
Elaine Grainger
Characters:
Bob Kane
Chef:
P.J. Haines
Chief Lighting Technician:
Cory Geryak
Clapper Loader:
Simon Gilmour
Color Timer:
Peter Hunt
John Ensby
Colorist:
Lee Twohey
Conductor:
Gavin Greenaway
Construction Buyer:
Roger Tyrell
Construction Coordinator:
Troy Osman
Contact Lens Technician:
Jemma Scott-Knox-Gore
Costume Assistant:
Peter Edmonds
Costume Coordinator:
Janie Nugent
Costume Design:
Lindy Hemming
Costume Supervisor:
Dan Grace
Costumer:
Gina Panno
Creative Director:
Andrew Booth
Daily Grip:
Matt Lopez-Dias
Data Wrangler:
Andrew Baggarley
Dialect Coach:
Francie Brown
Dialogue Editor:
Iain Eyre
Digital Compositor:
Michael Bell
Digital Compositors:
Richard Briscoe
Director:
Christopher Nolan
Director of Photography:
Wally Pfister
Dolby Consultant:
Julian Pinn
Draughtsman:
Toby Britton
Dressing Prop:
Colin Ellis
Driver:
Michael R. Cairo
Editor:
Lee Smith
Electrician:
Dawn Copeland
Executive Producer:
Benjamin Melniker
Michael Uslan
Extras Casting:
Joan Philo
Extras Casting Assistant:
Enero
Fight Choreographer:
Andy Norman
David Forman
Justo Dieguez
First Assistant Camera:
Andy Borham
First Assistant Director:
Cliff Lanning
First Assistant Editor:
John Lee
Floor Runner:
Andy Madden
Focus Puller:
Ashley Bond
Foley:
Andie Derrick
Foley Artist:
Peter Burgis
Foley Mixer:
Ed Colyer
Gaffer:
Perry Evans
Greensman:
Ian Whiteford
Grip:
Jaime Dawkins
Hair Designer:
Peter Robb-King
Hairdresser:
Deena Adair
Hairstylist:
Jane Body
Deena Adair
Head of Production:
Michael Elson
Head of Research:
Julian Mann
Health and Safety:
Leah Chalk
I/O Supervisor:
Craig Allison
Key Accountant:
Jennifer Griffin
Key Costumer:
Stella Cottini
Key Grip:
Malcolm Huse
Key Rigging Grip:
W.C. 'Chunky' Huse
Libra Head Technician:
Joe Buxton
Lighting Technician:
Neil Munro
Location Assistant:
Sam Arnopp
Location Manager:
Jo Beckett
Makeup Artist:
Laura McIntosh
Nancy Hancock
Makeup Trainee:
Sarah Downes
Matchmove Supervisor:
James Tomlinson
Music Editor:
Gareth Cousins
Simon Changer
Music Programmer:
Lorne Balfe
Negative Cutter:
Steve Farman
Orchestrator:
Brad Dechter
Original Music Composer:
James Newton Howard
Hans Zimmer
Painter:
Michael Finlay
Payroll Accountant:
Karen Turner
Post Production Assistant:
Catrin Cooper
Post Production Coordinator:
Katie Reynolds
Post Production Supervisor:
Jessie Thiele
Producer:
Emma Thomas
Charles Roven
Larry Franco
Lorne Orleans
Production Accountant:
Mark Birmingham
Production Assistant:
Winston Gallagher
Production Consultant:
Rick Senat
Production Coordinator:
Andrew Keilman
Production Design:
Nathan Crowley
Production Executive:
Kevin Trehy
Production Manager:
Mark Mostyn
Production Office Assistant:
Adam Teeuw
Production Runner:
Fiona Baldwin
Production Secretary:
Sharon Lomasney
Production Supervisor:
Jennifer Campbell
Projection:
Jan Meade
Property Master:
Brad Good
Propmaker:
Sophie Tarver
Publicist:
Dennis Davidson
Researcher:
Wyatt Pow
Rigging Gaffer:
John P. Friday
Rigging Grip:
Timothy Jippin
Rotoscoping Artist:
Paul Birkett
Scenic Artist:
David Packard
Screenplay:
David S. Goyer
Christopher Nolan
Script Supervisor:
Annie Penn
Sculptor:
John Blakeley
Seamstress:
Anna Jartin
Second Assistant Accountant:
Ericka N. Shane
Second Assistant Camera:
Chris Dame
Second Second Assistant Director:
Michael Winter
Senior Modeller:
Laurence Harvey
Sequence Leads:
Matthew Twyford
Set Costumer:
Gina Marie Ome
Set Decoration:
Paki Smith
Simon Wakefield
Andrew Hodgson
Set Designer:
Lotta Wolgers
Set Dressing Artist:
Thomas J. Glynn
Set Production Assistant:
Thomas J. McDonough
Set Runner:
Zoe Margolis
Sound Assistant:
Nathan Duncan
Sound Editor:
Nigel Holland
Sound Effects Editor:
Justine Angus
Sound Mix Technician:
Andrew Caller
Sound Mixer:
Ed Colyer
Sound Re-Recording Mixer:
Doug Hemphill
Ron Bartlett
Lora Hirschberg
Sound Recordist:
Peter Lindsay
Special Effects Assistant:
John Cluff
Special Effects Coordinator:
Chris Corbould
Special Effects Supervisor:
Duncan Capp
Special Effects Technician:
Jonathan Barrass
Stand In:
Steve Morphew
Standby Painter:
Peter Edge
Steadicam Operator:
Steven A. Adelson
Still Photographer:
David James
Storyboard Artist:
Martin Asbury
Stunt Coordinator:
Paul Jennings
Stunt Double:
Paul Lowe
Stunt Driver:
Rich Denikas
Stunts:
Gina Reale
Linda Perlin
Natalie M. Meyer
Maryann Kelman
Glory Fioramonti
Nina Armstrong
Laura Albert
Ben Cooke
Mark Mottram
Sy Holland
Clare Aldington
David Cronnelly
Tom Struthers
Gary Hymes
Brian Christensen
Gary Connery
Rick Avery
Adam Kirley
C.C. Smiff
Rowley Irlam
Pete Ford
Supervising Art Director:
Simon Lamont
Supervising Carpenter:
Alan Brooks
Supervising Sound Editor:
David Evans
Systems Administrators & Support:
Peter Guyan
Thanks:
Paul Dini
Curt Geda
Boyd Kirkland
Bruce Timm
Simon P Thorp
Third Assistant Director:
Ben Lanning
Transportation Co-Captain:
Calvin Chin
Transportation Coordinator:
Roy Clarke
Unit Manager:
Piers Dunn
Unit Production Manager:
Nigel Gostelow
Unit Publicist:
Claudia Kalindjian
Utility Stunts:
Gary Robert
VFX Artist:
Ryan Lastimosa
Video Assist Operator:
Kevin Boyd
Visual Effects:
Rohan Claassen
Visual Effects Assistant Editor:
Alison Carter
Visual Effects Coordinator:
Stephen Andrzejewski
Visual Effects Editor:
Collette Nunes
Derek Burgess
Visual Effects Producer:
Aurelia Abate
Visual Effects Production Assistant:
Senica Billingsley
Visual Effects Supervisor:
Stephane Ceretti
Janek Sirrs
Dan Glass
Wardrobe Assistant:
Brendan Handscombe
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
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Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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