A work in constant progress (and occasional regress).
Birthplace:
Brasília, Distrito Federal, Brazil
Associate Producer:
2017 Nalu on the Border
2021 The First Death of Joana
2023 Until the Music is Over
Director:
2006 A Vida ao Lado
2007 Uma Noite com Ela
2008 A Minha Maneira de Estar Sozinho
2012 Nove Crônicas para um Coração aos Berros
2013 A Violent Dose of Anything
2017 Nalu on the Border
2019 We Still Have the Deep Black Night
2021 The First Death of Joana
2023 Inventário de Imagens Perdidas
2023 Until the Music is Over
2024 O Vazio de Domingo à Tarde
Producer:
2006 A Vida ao Lado
2007 Uma Noite com Ela
2008 A Minha Maneira de Estar Sozinho
2012 Nove Crônicas para um Coração aos Berros
2013 A Violent Dose of Anything
2017 Nalu on the Border
2019 We Still Have the Deep Black Night
2021 The First Death of Joana
2023 Inventário de Imagens Perdidas
2023 Until the Music is Over
2024 O Vazio de Domingo à Tarde
Production Executive:
2006 A Vida ao Lado
2007 Uma Noite com Ela
2008 A Minha Maneira de Estar Sozinho
2012 Nove Crônicas para um Coração aos Berros
2013 A Violent Dose of Anything
2017 Nalu on the Border
2019 We Still Have the Deep Black Night
2021 The First Death of Joana
2023 Inventário de Imagens Perdidas
2023 Until the Music is Over
2024 O Vazio de Domingo à Tarde
Screenplay:
2006 A Vida ao Lado
2007 Uma Noite com Ela
2008 A Minha Maneira de Estar Sozinho
2012 Nove Crônicas para um Coração aos Berros
2013 A Violent Dose of Anything
2017 Nalu on the Border
2019 We Still Have the Deep Black Night
2021 The First Death of Joana
2023 Inventário de Imagens Perdidas
2023 Until the Music is Over
2024 O Vazio de Domingo à Tarde
Writer:
2006 A Vida ao Lado
2007 Uma Noite com Ela
2008 A Minha Maneira de Estar Sozinho
2012 Nove Crônicas para um Coração aos Berros
2013 A Violent Dose of Anything
2017 Nalu on the Border
2019 We Still Have the Deep Black Night
2021 The First Death of Joana
2023 Inventário de Imagens Perdidas
2023 Until the Music is Over
2024 O Vazio de Domingo à Tarde
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.