A work in constant progress (and occasional regress).
Release Date:
June 22, 2017
Original Title:
Mulher do Pai
Alternate Titles:
A Woman and the Father
A Woman, a Father
La Mujer del Padre
Nalu on the Border
Woman of the Father
Genres:
Drama
Production Companies:
Crisol Filmes
OKNA Produções
Transparent Films
Production Countries:
Brazil | Uruguay
Ratings / Certifications:
N/A
Runtime: 94
Nalu lives with Ruben, her father, in a small country town near the Brazilian border with Uruguay. When Ruben realizes that his daughter is becoming a woman, an ambiguous closeness begins to develop between them.
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Art Direction:
Adriana Nascimento Borba
Assistant Art Director:
Carolina Pereira
Assistant Director:
Nana Baptista
Assistant Editor:
Daniela Strack
Assistant Production Manager:
Victória Swirsky
Associate Producer:
Gustavo Galvão
Co-Writer:
Michele Frantz
Costumer:
Coca Serpa
Digital Colorist:
Samanta do Amaral
Director:
Cristiane Oliveira
Director of Photography:
Heloísa Passos
Editor:
Tula Anagnostopoulos
Executive Producer:
Gina O'Donnel
Graziella Ferst
Gabriel Richieri
Focus Puller:
Tiago Rivaldo
Foley Editor:
Vitor Moraes
Gaffer:
Flavio Nascimento
Key Grip:
Júlio Guimarães
Makeup Artist:
Nancy Marignac
Original Music Composer:
Arthur de Faria
Producer:
Aletéia Selonk
Diego Fernández Pujol
Cristiane Oliveira
Script Consultant:
Miguel Machalski
Script Supervisor:
Michele Frantz
Sound Designer:
Ricardo Reis
Sound Editor:
Débora Morbi
Camila Mariga
Sound Effects Editor:
Jéssica Noliver
Sound Re-Recording Assistant:
Vanessa Gusmão
Sound Re-Recording Mixer:
Paulo Gama
Sound Recordist:
Raúl Locatelli
Supervising Sound Editor:
Miriam Biderman
Writer:
Cristiane Oliveira
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.