A work in constant progress (and occasional regress).
Alias:
Manu Dacosse
Birthplace:
Uccle, Bruxelles, Belgium
Born:
January 1, 1977
Manuel "Manu" Dacosse is a Belgian cinematographer. He is known for his work with directors Hélène Cattet and Bruno Forzani on the films Amer (2009), The Strange Colour of Your Body's Tears (2013), and Let the Corpses Tan (2017), the last two of which earned him the Magritte Award for Best Cinematography. He collaborated with director François Ozon on L'Amant double (2017) and By the Grace of God (2019); the latter received five nominations at the 25th Lumières Awards, including Best Cinematography for Dacosse. His film credits also include Torpedo (2012), Mobile Home (2012), Tasher Desh (2012), Alleluia (2014), The Lady in the Car with Glasses and a Gun (2015), Evolution (2015), Axolotl Overkill (2017), Adoration (2019), and The Silencing (2020). Source: Article "Manuel Dacosse" from Wikipedia in english, licensed under CC-BY-SA 3.0.
Additional Director of Photography:
2003 The Five Obstructions
Director of Photography:
2002 Yellow Room
2003 The End of Our Love
2003 The Five Obstructions
2004 The Strange Portrait of the Lady in Yellow
2006 Santos Palace
2008 Black Lands
2009 Amer
2012 Mobile Home
2012 Torpédo
2013 Electric Indigo
2013 The ABCs of Death
2013 The Land of Cards
2013 The Strange Color of Your Body's Tears
2014 Alleluia
2014 Nectar
2015 The Lady in the Car with Glasses and a Gun
2016 Evolution
2016 Odd Job
2017 Axolotl Overkill
2017 Double Lover
2017 Let the Corpses Tan
2017 The Confession
2018 The Emperor of Paris
2019 By the Grace of God
2019 Three Days and a Life
2020 Adoration
2020 The Silencing
2021 LYNX
2022 Inexorable
2022 Peter von Kant
2022 Simone: Woman of the Century
2022 You Will Not Have My Hate
2023 The Crime Is Mine
2023 Vincent Must Die
2023 When Will It Be Again Like It Never Was Before
2025 Maldoror
2025 Reflection in a Dead Diamond
2025 The Residence
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.