A work in constant progress (and occasional regress).
Release Date:
June 25, 2025
Original Title:
Reflet dans un diamant mort
Alternate Titles:
Błysk diamentu śmierci
Reflection in A Dead Diamond
Reflet dans un diamant mort
Genres:
Action | Mystery | Thriller
Production Companies:
ARTE France Cinéma
BNP Paribas Fortis
BeTV
Dandy Projects
Kozak Films
Les Films Fauves
Proximus
Savage Film
To Be Continued
Tobina Film
VOO
Production Countries:
Belgium | France | Italy | Luxembourg
Ratings / Certifications:
BR: 16 KR: 19 LU: 16
Runtime: 87
When the mysterious woman in the room next door disappears, a debonair 70-year-old ex-spy living in a luxury hotel on the Côte d'Azur is confronted by the demons and darlings of a lurid past in which moviemaking, memories and madness collide.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Additional Visual Effects:
Daniel Bruylandt
Art Direction:
Jennifer Chabaudie
Best Boy Electric:
Robin Baudour
Boom Operator:
Tom Biren
Carpenter:
Thomas Ferrandis
François Mast
Co-Producer:
Gilles Chanial
François Cognard
Olivier Père
Colorist:
Peter Bernaers
Digital Compositor:
Bryan Gossuin
Thomas Scourneau
Director:
Hélène Cattet
Bruno Forzani
Director of Photography:
Manuel Dacosse
Editor:
Bernard Beets
Electrician:
Lucas Marbach
Laurent Steiner
First Assistant "A" Camera:
Colin Lévêque
First Assistant "B" Camera:
Elvis Fontaine-Garant
First Assistant Director:
Christèle Agnello
Foley Artist:
Olivier Thys
Foley Mixer:
Aline Gavroy
Foley Recordist:
Nicolas Auert
Gaffer:
Stanislas Etenaille
Graphic Designer:
Tom Bornarel
Hair Department Head:
Jasmine Schmit
Hair Setup:
Fatima York
Key Makeup Artist:
Bénédicte Trouvé
Location Assistant:
Javier Farina
Jérôme Heilig
Location Manager:
Stefane Tatibouet
Patrick Blocman
Painter:
Tiziana Raffaelli
Noémie Tudoux
Phantom Operator:
Tom Gineyts
Producer:
Pierre Foulon
Production Assistant:
Manon Santarelli
Alexis Schmitz
Lou-Théa Papaloïzos
Production Design:
Laurie Colson
Production Designer:
Laurie Colson
Scenic Artist:
Toon De Clercq
Second Assistant Director:
Madeleine Maistriaux
Second Unit Director of Photography:
Colin Lévêque
Set Decoration:
Axelle Le Dauphin
Set Dresser:
Axelle Le Dauphin
Sound Editor:
Daniel Bruylandt
Sound Re-Recording Mixer:
Mathieu Cox
Sound Recordist:
Martin Tricoire
Special Effects Key Makeup Artist:
Oriane De Neve
Special Effects Makeup Artist:
Marie-Eglantine Pirson
Special Effects Supervisor:
Jean-Christophe Bourgeois
Special Effects Technician:
Sullyvan Grousse
Maurice Grégoire
Steadicam Operator:
Yvan Coene
Third Assistant Director:
Felix Cognard
Underwater Director of Photography:
Alexandra Brixy
Weapons Master:
Jean-Christophe Bourgeois
Writer:
Bruno Forzani
Hélène Cattet
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.