A work in constant progress (and occasional regress).
Color Grading:
2014 The Error
2015 Il presagio del ragno
2017 The Day
Colorist:
2010 Sentirsidire: Quello che i genitori non vorrebbero mai
2014 The Error
2015 Il presagio del ragno
2017 The Day
2018 In This World
2018 Otzi and the Mystery of Time
2020 Intolerance
2020 The Big Step
2023 Among The Trees
Compositor:
2007 Concrete Romance
2010 Sentirsidire: Quello che i genitori non vorrebbero mai
2014 The Error
2015 Il presagio del ragno
2017 The Day
2018 In This World
2018 Otzi and the Mystery of Time
2020 Intolerance
2020 The Big Step
2023 Among The Trees
Editor:
2004 Why We Try
2007 Concrete Romance
2010 Sentirsidire: Quello che i genitori non vorrebbero mai
2014 The Error
2015 Il presagio del ragno
2017 The Day
2018 In This World
2018 Otzi and the Mystery of Time
2020 Intolerance
2020 The Big Step
2023 Among The Trees
Editorial Coordinator:
2004 Why We Try
2007 Concrete Romance
2010 Sentirsidire: Quello che i genitori non vorrebbero mai
2014 The Error
2015 Il presagio del ragno
2017 The Day
2018 In This World
2018 Otzi and the Mystery of Time
2020 Intolerance
2020 The Big Step
2023 Among The Trees
Other:
2004 Why We Try
2007 Concrete Romance
2010 Sentirsidire: Quello che i genitori non vorrebbero mai
2014 The Error
2015 Il presagio del ragno
2017 The Day
2018 In This World
2018 Otzi and the Mystery of Time
2020 Intolerance
2020 The Big Step
2023 Among The Trees
Title Designer:
2003 L'apetta Giulia e la Signora Vita
2004 Why We Try
2005 L'orizzonte degli eventi
2005 The Clan
2007 Concrete Romance
2008 The Past Is a Foreign Land
2010 Sentirsidire: Quello che i genitori non vorrebbero mai
2014 The Error
2015 Il presagio del ragno
2017 The Day
2018 In This World
2018 Otzi and the Mystery of Time
2020 Intolerance
2020 The Big Step
2023 Among The Trees
VFX Artist:
2003 L'apetta Giulia e la Signora Vita
2004 Why We Try
2005 L'orizzonte degli eventi
2005 The Clan
2007 Concrete Romance
2008 The Past Is a Foreign Land
2010 Sentirsidire: Quello che i genitori non vorrebbero mai
2014 The Error
2015 Il presagio del ragno
2017 The Day
2018 In This World
2018 Otzi and the Mystery of Time
2020 Intolerance
2020 The Big Step
2023 Among The Trees
VFX Supervisor:
2003 L'apetta Giulia e la Signora Vita
2004 Why We Try
2005 L'orizzonte degli eventi
2005 The Clan
2007 Concrete Romance
2008 The Past Is a Foreign Land
2010 Sentirsidire: Quello che i genitori non vorrebbero mai
2014 The Error
2015 Il presagio del ragno
2017 Sun, Heart, Love
2017 The Day
2018 In This World
2018 Otzi and the Mystery of Time
2020 Intolerance
2020 The Big Step
2023 Among The Trees
Visual Effects:
2003 L'apetta Giulia e la Signora Vita
2004 Why We Try
2005 L'orizzonte degli eventi
2005 The Clan
2007 Concrete Romance
2007 Saturn in Opposition
2008 The Past Is a Foreign Land
2010 Sentirsidire: Quello che i genitori non vorrebbero mai
2011 L'erede
2011 The Cardboard Village
2014 The Error
2015 Il presagio del ragno
2017 Sun, Heart, Love
2017 The Day
2018 In This World
2018 Otzi and the Mystery of Time
2020 Intolerance
2020 The Big Step
2023 Among The Trees
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.