A work in constant progress (and occasional regress).
Release Date:
November 8, 2018
Original Title:
Ötzi e il mistero del tempo
Alternate Titles:
Ötzi et le mystère du temps
Отзі та таємниця часу
Genres:
Adventure | Family | Fantasy
Production Companies:
One More Pictures
RAI Cinema
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 90
Kip is an intelligent and sensitive boy with a great passion for anthropology, thanks to his mother who is studying the glacier mummy Ötzi, displayed in the South Tyrol Museum of Archaeology in Bolzano. When a tragic accident changes Kip’s life, he has to leave Bolzano and his best friends. On his last days in the city, Kip a final time goes to the museum to say goodbye to the mummy, as something magical happens and Ötzi wakes up ...
ADR Coordinator:
Jack Whitney
ADR Mixer:
Chris Whiteside
Additional Music:
Silvia Leonetti
Animation Director:
Andrea Cerini
Assistant Art Director:
Eros Rodighiero
Assistant Camera:
Gianfranco Torinti
Assistant Costume Designer:
Monica Lampazzi
Giulia Chiaretti
Assistant Hairstylist:
Allaoui Asmae
Assistant Location Manager:
Federica Mele
Assistant Makeup Artist:
Jlenia Fanciulli
Xhoja Durrsi
Adele Di Trani
Assistant Music Supervisor:
Silvia Leonetti
Assistant Property Master:
Roberto Pozzer
Assistant Unit Manager:
Enzo Juvalé
Background Designer:
Marco Valerio Gallo
Boom Operator:
Patrick Bruttomesso
Camera Operator:
Alessandro Signori
Casting:
Bibiane Oldenburg
Cassandra Han
Casting Associate:
Lorenzo Viti
Colorist:
Ercole Cosmi
Construction Coordinator:
Peter Valming
Costume Design:
Alessandro Lai
Data Management Technician:
Michele Lezza
Dialogue Coach:
Mark Thompson-Ashworth
Marcela Marambio
Digital Compositor:
Luca Scintu
David Catalano
Gianluca Salerno
Giovanni Ermes Vincenti
Elisa Tiziani
Gabriele Lori
Alessio Zambardi
Diego Zura Puntaroni
Digital Imaging Technician:
Andrea Curiazi
Director:
Gabriele Pignotta
Director of Photography:
Tuomo Virtanen
Dressing Prop:
Tomas Kusstatscher
Driver:
Iozan Iordanov Marinov
Electrician:
Andrea Folgheraiter
Kristian De Martiis
Andrea Marziali
Executive Producer:
Gennaro Coppola
First Assistant Camera:
Stefano Barabino
Maurizio Cremisini
First Assistant Director:
Davide Sacchetti
Foley Artist:
Italo Cameracanna
Gaffer:
Fabio De Meis
Generator Operator:
Constantino Ciudin
Grip:
Federico Pietrobelli
Alessandro Lanini
Sebastiano Malpasso
Daigoro Vitello
Hair Assistant:
Allaoui Asmae
Hairstylist:
Peggy Anstett
Key Grip:
Paolo Bovi
Key Hair Stylist:
Marco Perna
Key Makeup Artist:
Alessandro D'Anna
Line Producer:
Corrado Trionfera
Location Manager:
Debora Scaperrotta
Music:
Stefano Switala
Original Music Composer:
Stefano Switala
Producer:
Manuela Cacciamani
Production Coordinator:
Michela Sessa
Vittoria Brandi
Mirko D'Angeli
Production Design:
Laura Pozzaglio
Property Master:
Stefano Morbidelli
Recording Supervision:
Valerio Brini
Alessandro Checcacci
Script Supervisor:
Giorgia Onofri
Second Assistant Camera:
Livia Romano
Second Assistant Director:
Valentina de Cassan
Second Unit Director:
Carlo Tozzi
Set Decoration:
Daniela Zorzetto
Sound Effects:
Paolo Amici
Sound Effects Editor:
Federico Amodio
David Quadroli
Fabrizio Quadroli
Daniele Quadroli
Sound Mixer:
Carlo Missidenti
Steadicam Operator:
Alessandro Signori
Still Photographer:
Federico Vagliati
Story:
Manuela Cacciamani
Carlo Longo
Storyboard:
Marco Valerio Gallo
Storyboard Artist:
Marco Valerio Gallo
Davide De Cubellis
Stunt Coordinator:
Emiliano Novelli
Alessandro Novelli
Marco Pancrazi
Stunts:
Samuele Brancato
Thanks:
Bof Matteo
Third Assistant Camera:
Davide Grotta
Trainee Production Coordinator:
Marta Natali
Unit Manager:
Giancarlo Tomaselli
Visual Effects:
Luciano Vittori Jr.
Luca Scintu
Matteo Marzano
Visual Effects Coordinator:
Martina Bellucci
Elisa Tiziani
Visual Effects Producer:
Martina Bellucci
Veronica Aliprandi
Visual Effects Supervisor:
Gianluca Salerno
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.