A work in constant progress (and occasional regress).
Adaptation:
1963 Los derechos de la mujer
General Manager:
1948 El huésped de las tinieblas
1963 Los derechos de la mujer
Production Manager:
1948 El huésped de las tinieblas
1955 Pride
1958 El sol sale todos los días
1963 Los derechos de la mujer
Screenplay:
1948 El huésped de las tinieblas
1955 Pride
1958 El sol sale todos los días
1960 Amor bajo cero
1961 Teresa de Jesús
1961 Usted puede ser un asesino
1962 La Gran Familia
1963 Los derechos de la mujer
1967 Un millón en la basura
1969 A 45 revoluciones por minuto
1970 Crimen imperfecto
1970 El astronauta
1970 Verano 70
1971 The Ibéricas Football Club
1977 La coquito
Story:
1948 El huésped de las tinieblas
1955 Pride
1958 El sol sale todos los días
1960 Amor bajo cero
1961 Teresa de Jesús
1961 Usted puede ser un asesino
1962 La Gran Familia
1963 Los derechos de la mujer
1967 Un millón en la basura
1969 A 45 revoluciones por minuto
1970 Crimen imperfecto
1970 El astronauta
1970 Verano 70
1971 The Ibéricas Football Club
1977 La coquito
Writer:
1948 El huésped de las tinieblas
1955 Pride
1956 Fedra, the Devil's Daughter
1958 Aquellos tiempos del cuplé
1958 El sol sale todos los días
1959 Valentine's Day
1960 Amor bajo cero
1960 Police Calling 091
1961 Teresa de Jesús
1961 Usted puede ser un asesino
1962 La Gran Familia
1962 Vuelve San Valentín
1963 La chica del trébol
1963 Los derechos de la mujer
1965 The Family and One More
1967 Los chicos del Preu
1967 Un millón en la basura
1969 A 45 revoluciones por minuto
1970 Crimen imperfecto
1970 De profesión, sus labores
1970 El astronauta
1970 Verano 70
1970 ¿Por qué pecamos a los 40?
1971 The Ibéricas Football Club
1972 Experiencia prematrimonial
1972 Las colocadas
1974 Una chica y un señor
1976 La menor
1977 La coquito
1978 Pepito Piscinas
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.