A work in constant progress (and occasional regress).
Featuring:
Adolfo Marsillach, Tony Leblanc, Susana Campos
Written by:
Vicente Coello
José María Forqué
Pedro Masó
Directed by:
José María Forqué
Release Date:
November 7, 1960
Original Title:
091: Policía al habla
Genres:
Crime | Drama
Production Companies:
AS Films Producciones
Production Countries:
Spain
Ratings / Certifications:
RO: 18
Runtime: 96
A police inspector makes his service in a patrol car attenging emergency calls. A memory hauns him, the death of her daughter, who was killed hit by a car that fled. The car is located and the inspector goes there and confrontation will be violent.
Ever since his daughter was taken from him by the fault of a hit-and-run car, Inspector Andrés has been haunted by memories.
Assistant Camera:
Fernando Guillot
Assistant Director:
José Puyol
Assistant Editor:
Clorinda Cáceres
Assistant Makeup Artist:
Juana Culell
Assistant Production Manager:
José Alted
Assistant Set Decoration:
Jaime Pérez Cubero
Associate Producer:
José María Forqué
Pedro Masó
Camera Operator:
Ricardo Navarrete
Construction Coordinator:
Francisco Rodríguez Asensio
Director:
José María Forqué
Director of Photography:
Juan Mariné
Editor:
Antonio Ramírez de Loaysa
Makeup Artist:
Adolfo Ponte
Music:
Augusto Algueró
Production Assistant:
Ignacio Arilla
Eusebio Carmena
Production Secretary:
María Teresa Garrido
Property Master:
Ricardo Bonilla
Set Decoration:
José Algueró
Sound:
Gabriel Basagaña
Jaime Torrens
Still Photographer:
Miguel Guzmán
Unit Production Manager:
Pedro Masó
Tíbor Reves
Wardrobe Master:
Manuel Ibáñez
Paquita
Writer:
Vicente Coello
José María Forqué
Pedro Masó
Antonio Vich
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.