A work in constant progress (and occasional regress).
Birthplace:
Michigan, USA
Camera Operator:
2015 Alistair1918
Cinematography:
2015 Alistair1918
???? The Good Guys
Director of Photography:
2013 The Bell Witch Haunting
2015 A Teacher's Obsession
2015 Alistair1918
2016 Zoombies
2018 Do You Like the Taste of Beer?
2018 The Year of Spectacular Men
2018 Triassic World
2019 A Beauty & the Beast Christmas
2019 Mommy Would Never Hurt You
2019 Mope
2019 Trauma Center
2020 Hard Kill
2020 My Nightmare Landlord
2020 Survive the Night
2021 Fortress
2021 Survive the Game
2022 Fortress: Sniper's Eye
2022 High Expectations
2022 Hot Seat
2023 Assassin
2023 Inside Man
2024 The Invisible Raptor
???? The Good Guys
Second Unit Director of Photography:
2009 Shadow.net
2013 The Bell Witch Haunting
2015 A Teacher's Obsession
2015 Alistair1918
2016 Zoombies
2018 Do You Like the Taste of Beer?
2018 The Year of Spectacular Men
2018 Triassic World
2019 A Beauty & the Beast Christmas
2019 Mommy Would Never Hurt You
2019 Mope
2019 Trauma Center
2020 Hard Kill
2020 My Nightmare Landlord
2020 Survive the Night
2021 Fortress
2021 Survive the Game
2022 Fortress: Sniper's Eye
2022 High Expectations
2022 Hot Seat
2023 Assassin
2023 Inside Man
2024 The Invisible Raptor
???? The Good Guys
Steadicam Operator:
2009 Shadow.net
2013 The Bell Witch Haunting
2015 A Teacher's Obsession
2015 Alistair1918
2016 Zoombies
2018 Do You Like the Taste of Beer?
2018 The Row
2018 The Year of Spectacular Men
2018 Triassic World
2019 A Beauty & the Beast Christmas
2019 Mommy Would Never Hurt You
2019 Mope
2019 Trauma Center
2020 Hard Kill
2020 My Nightmare Landlord
2020 Survive the Night
2021 Fortress
2021 Survive the Game
2022 Fortress: Sniper's Eye
2022 High Expectations
2022 Hot Seat
2023 Assassin
2023 Inside Man
2024 The Invisible Raptor
???? The Good Guys
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.