A work in constant progress (and occasional regress).
Release Date:
July 3, 2020
Original Title:
Survive the Night
Alternate Titles:
Survivre
The Long Night
Überlebe die Nacht
서바이브 더 나이트
Genres:
Action | Thriller
Production Companies:
EFO Films
SSS Entertainment
SSS Film Capital
Production Countries:
United States of America
Ratings / Certifications:
BR: 16 CA: R DE: 16 GB: 15 NL: 16 NO: 15 PL: 16 PT: M/14 RU: 16+ SE: 15 US: R
Runtime: 89
A disgraced doctor and his family are held hostage at their home by criminals on the run, when a robbery-gone-awry requires them to seek immediate medical attention.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Armorer:
Stanford Gilbert
Best Boy Electric:
Gerónimo Pérez Quesada
Camera Operator:
Catherine E. Greene
Digital Imaging Technician:
Ron Elliot
Director:
Matt Eskandari
Director of Photography:
Bryan Koss
Editor:
R.J. Cooper
Electrician:
Justin Nesbit
Kevin Newton
Epk Producer:
Mike Burns
First Assistant "A" Camera:
Sophie Bruza
First Assistant "B" Camera:
Mary Margaret Porter
First Assistant Director:
Jonathan Southard
Gaffer:
German Valle
Grip:
Raul Flores
Hair Department Head:
Scott Spencer Miller
Key Hair Stylist:
Darrliena McDonald
Key Makeup Artist:
Jessie Gambardella
Makeup Artist:
Tess Laeh
Makeup Department Head:
Laura Dandridge
Original Music Composer:
Nima Fakhrara
Producer:
Randall Emmett
Shaun S. Sanghani
Mark Stewart
Production Design:
Susannah Lowber
Russian Arm Operator:
Michael Jordan
Script Supervisor:
Mia Brassell
Second Assistant "A" Camera:
Chelsea Craig
Second Assistant "B" Camera:
Rose Ashikyan
Second Unit Cinematographer:
Eduardo Barraza
Set Decoration:
Samantha LaRoe McDonald
Sound Mixer:
Marlowe Taylor
Still Photographer:
Brian Douglas
Truck Costumer:
Abs Petit
Writer:
Doug Wolfe
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.