A work in constant progress (and occasional regress).
Birthplace:
Buenos Aires, Argentine
Degree in Communication (UBA), and graduated from the Argentina National School of Cinema (ENERC), where he currently works as a teacher. He has directed two films features: "M" (2007, award for best Latin American film and prize FIPRESCI at the Festival de Mar del Plata, as well as also the Runner Up Prize at the Festival of Yamagata (Japan), the prize for best documentary at the Mostra of Lleida and a special jury mention at the Festival of Gijón (Spain), as well as participating in numerous international festivals of cinema (New York, Vienna, Hamburg, Havana, Mexico, San Pablo, etc). "Fatherland" (2011), was presented at the Toronto film festival, and after passing through several of the aforementioned festivals obtained the mention of FIPRESCI Argentina to the best national release in 2012. He published the book "The Country of Cinema. For a political history of the new Argentine cinema".
Camera Operator:
2024 Carta a una señorita en París
Cinematography:
2007 m
2020 A Farewell to Memory
2024 Carta a una señorita en París
Director:
2007 m
2011 Fatherland
2016 Intervened Archives: Cinema School
2016 PPP
2019 I shot Antoine Doinel
2020 A Farewell to Memory
2024 Carta a una señorita en París
Producer:
2007 m
2011 Fatherland
2016 Intervened Archives: Cinema School
2016 PPP
2019 I shot Antoine Doinel
2020 A Farewell to Memory
2024 Carta a una señorita en París
Screenplay:
2007 m
2011 Fatherland
2016 Intervened Archives: Cinema School
2016 PPP
2019 I shot Antoine Doinel
2020 A Farewell to Memory
2024 Carta a una señorita en París
Writer:
2007 m
2011 Fatherland
2016 Intervened Archives: Cinema School
2016 PPP
2019 I shot Antoine Doinel
2020 A Farewell to Memory
2024 Carta a una señorita en París
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.