A work in constant progress (and occasional regress).
Release Date:
April 22, 2024
Original Title:
Carta a una señorita en París
Genres:
Documentary
Production Companies:
Trivial Media
Production Countries:
Argentina
Ratings / Certifications:
N/A
Runtime: 35
A letter about the persistence of ghosts, the incomprehensibility of the past and its traces in the present. A city in two times, 50 years apart. Images and words that mix and overlap, while memory recovers streets, museums, cemeteries, absences. And suddenly something explodes.
Camera Operator:
Nicolás Prividera
Héctor Prividera
Director:
Nicolás Prividera
Editor:
Pablo Ratto
Executive Producer:
Pablo Ratto
Post Producer:
Juan Martín Hsu
Producer:
Nicolás Prividera
Pablo Ratto
Sound Editor:
Rubén Piputto Santos
Translator:
Laura Fandiño
Writer:
Nicolás Prividera
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.