A work in constant progress (and occasional regress).
Birthplace:
Crespo Paraná, Entre Ríos, Argentina
Maximiliano Schonfeld (Crespo, Argentina. 1982) studied film at the ENERC and was assistant director to Rodrigo Moreno and Víctor Kozakovzky. His debut feature, "Germania", premiered at the Hamburg Film Festival in 2012. His film "La helada negra" was screened at the Berlin International Film Festival in 2016. His third fiction feature, "Jesús López" ( together with the Argentine writer Selva Almada), premiered at the San Sebastián Film Festival in September 2021. He currently serves as president of the Entre Ríos Audiovisual Institute.
Assistant Director:
2007 Sirenas
2018 Yo pasto de los leones
2020 Santa Fe - notas, 2017-2019
Boom Operator:
2007 Sirenas
2018 Yo pasto de los leones
2020 Santa Fe - notas, 2017-2019
Casting:
2007 Sirenas
2010 Pavón
2018 Yo pasto de los leones
2020 Santa Fe - notas, 2017-2019
Director:
2007 Sirenas
2010 Pavón
2013 Germania
2016 La siesta del tigre
2016 The Black Frost
2018 Yo pasto de los leones
2020 Santa Fe - notas, 2017-2019
2022 Jesús López
2022 Luminum
2024 Big Shadow
???? Frankenstein
Director of Photography:
2007 Sirenas
2010 Pavón
2013 Germania
2016 La siesta del tigre
2016 The Black Frost
2018 Yo pasto de los leones
2020 Santa Fe - notas, 2017-2019
2022 Jesús López
2022 Luminum
2024 Big Shadow
???? Frankenstein
Location Manager:
2007 Sirenas
2010 Pavón
2013 Germania
2016 La siesta del tigre
2016 The Black Frost
2018 There Will Come Soft Rains
2018 Yo pasto de los leones
2020 Santa Fe - notas, 2017-2019
2022 Jesús López
2022 Luminum
2024 Big Shadow
???? Frankenstein
Producer:
2007 Sirenas
2010 Pavón
2011 Aún despierta
2013 Germania
2016 La siesta del tigre
2016 The Black Frost
2018 There Will Come Soft Rains
2018 Yo pasto de los leones
2020 Santa Fe - notas, 2017-2019
2022 Jesús López
2022 Luminum
2024 Big Shadow
???? Frankenstein
Production Manager:
2007 Sirenas
2010 Pavón
2011 Aún despierta
2013 Germania
2016 La siesta del tigre
2016 The Black Frost
2018 There Will Come Soft Rains
2018 Yo pasto de los leones
2020 Santa Fe - notas, 2017-2019
2022 Jesús López
2022 Luminum
2024 Big Shadow
???? Frankenstein
Sound:
2007 Sirenas
2010 Argentino Vargas
2010 Pavón
2011 Aún despierta
2013 Germania
2016 La siesta del tigre
2016 The Black Frost
2018 There Will Come Soft Rains
2018 Yo pasto de los leones
2020 Santa Fe - notas, 2017-2019
2022 Jesús López
2022 Luminum
2024 Big Shadow
???? Frankenstein
Thanks:
2007 Sirenas
2010 Argentino Vargas
2010 Pavón
2010 Verano
2011 Aún despierta
2011 Lo-Fi
2013 Germania
2015 Gulliver
2016 La siesta del tigre
2016 The Black Frost
2018 There Will Come Soft Rains
2018 Yo pasto de los leones
2020 Santa Fe - notas, 2017-2019
2021 A Common Crime
2021 Tromboneros
2022 Jesús López
2022 Luminum
2024 Big Shadow
???? Frankenstein
Writer:
2007 Sirenas
2010 Argentino Vargas
2010 Pavón
2010 Verano
2011 Aún despierta
2011 Lo-Fi
2013 Germania
2015 Gulliver
2016 La siesta del tigre
2016 The Black Frost
2018 There Will Come Soft Rains
2018 Yo pasto de los leones
2020 Santa Fe - notas, 2017-2019
2021 A Common Crime
2021 Tromboneros
2022 Jesús López
2022 Luminum
2024 Big Shadow
???? Frankenstein
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.