A work in constant progress (and occasional regress).
Release Date:
February 3, 2022
Original Title:
Jesús López
Genres:
Drama
Production Companies:
Catapulta Cine
Cine Argentino
INCAA
Luz Verde
Mecenazgo Cultural
Murillo Cine
Pluto Film
Santander Fundación
Production Countries:
Argentina | France
Ratings / Certifications:
RO: 15
Runtime: 86
Jesús López, a young racing driver, dies accidentally leaving his town in astonishment. His cousin Abel, a drifting teenager, gradually feels tempted to take his place in life.
Art Direction:
Agustín Ravotti
Assistant Costume Designer:
María Clara Frangillo
Assistant Director:
Natalia Trzcina
Assistant Grip:
Pablo Blejer
Camera Operator:
Federico Lastra
Color Grading:
Laurent Navarri
Costume Design:
Analía Bernabé
Dialogue Editor:
Sebastián González
Director:
Maximiliano Schonfeld
Director of Photography:
Federico Lastra
Editor:
Ana Remón
Electrician:
Leonardo Serroels
Executive Producer:
Cecilia Salim
Georgina Baisch
First Assistant Camera:
Victoria Pereda
First Assistant Director:
Pablo Aparo
Mariana Rojas
Foley Artist:
Leyla de la Hoz
Gaffer:
Salvador Abal
Alejandro Albarenque
Key Grip:
Leandro Pascuto
Jorge Avalos
Lighting Manager:
Alejandro Albarenque
Music:
Jackson Souvenirs
Producer:
Maximiliano Schonfeld
Cecilia Salim
Georgina Baisch
Producer's Assistant:
Leonardo Zaragoza
Lucas Pérez Franzutti
Milton Soñez
Production Coordinator:
Paula Martel
Production Manager:
Mariana Villalva
Props:
Marcelo Enríquez
Second Assistant Camera:
Israel Salazar Paredes
Lisa Lombardo
Set Decoration:
Paz Barrio
Sound Assistant:
Juan Ignacio Iribarne
Sound Designer:
Sofía Straface
Sound Mix Technician:
Leandro de Loredo
Visual Effects:
Hoël Sainléger
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.